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2019.11.01 Fri, by

Contemporary Istanbul 2019

During the inauguration of the 14th edition of the art fair Contemporary Istanbul, chairman Ali Güreli was also enthusiastically stressing the importance of art and culture in Turkey with the statement: “The artistic and cultural dimension needs to be reinforced at all times”. >> Read more
2020.11.16 Mon, by

Zara June Williams – Fuse
COMA, Sydney

Intrigued by the feeling of bewilderment that ensues contradiction, Zara June Williams’ explores the cyclical and cumulative nature of painting through an impulsive and often destructive approach to making. Compelled by incongruous encounters, the artist not only seeks to untangle problems but to create them. Her recent work combines painterly abstraction with collage, bringing together disparate parts in order to mimic and hence reflect on the fractured and disorderly nature of the self. >> Read more
Interviews, 2020.06.16 Tue, by

Simon Mordant
Contemporary Collector, Modern Philanthropist

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more
Interviews, 2018.07.03 Tue, by

Painting after Painting after Painting
–Image-making in Contemporary Germany
Guangdong Museum of Art
Guangzhou

From July 6 to August 14, 2018, the Guangdong Museum of Art hosts the exhibition ‘PAINTING AFTER PAINTING AFTER PAINTING AFTER: IMAGE-MAKING IN CONTEMPORARY GERMANY’, presenting four of the most accomplished mid-career painters of Germany today: Franz Ackermann, Benjamin Appel, Thomas Scheibitz and Katja Strunz. The exhibition is a pilot project that in exemplary ways introduces the state-of-the-art in German post-painting developments […] >> Read more
Interviews, 2017.10.13 Fri, by

Big Pictures

Art has no equivalent of the Skyscraper Index, the notion that record-breaking towers tend to be built, hubristically, just prior to an economic crisis. The top end of the art world seems to ignore crises altogether (at least the part that doesn’t invest in tall buildings). Inflationary tendencies are observable in the art world, though, in uppity auction prices, the spread of private museums and art storage facilities and, seemingly, in art itself, no doubt partly to fill all the cavernous museums being built. >> Read more
Interviews, 2017.04.05 Wed, by

LLYN FOULKES
David Zwirner
New York

David Zwirner is pleased to present an exhibition of major works by Los Angeles-based artist Llyn Foulkes, on view at 533 West 19th Street in New York. >> Read more
Interviews, 2017.03.12 Sun, by

Shanghai Project announces Chapter 2 public programs

Taking Envision 2116 as the theme of its first two chapters, >> Read more
Interviews, 2016.08.10 Wed, by

Singapore Art Archive Project at SA SA BASSAC | 31 July – 8October, 2016

We are pleased to announce the exhibition and programs of Singapore Art Archive Project at SA SA BASSAC: Koh Nguang How and Shui Tit Sing with curators Vera Mey and Mélanie Mermod >> Read more
Interviews, 2016.08.02 Tue, by

Walid Raad: Section 39_Index XXXVII: Traboulsi

Section 39_Index XXXVII: Traboulsi stems from Walid Raad's interest and research into AAA's Ha Bik Chuen Archive. During his 2014 residency at AAA, Raad was introduced to the work of Ha Bik Chuen. Raad immediately realised Ha's affinity to one of his fictional collaborators, Suha Traboulsi. >> Read more
Interviews, 2016.05.11 Wed, by

A Decorative Frieze

In the past, Frieze has meant a colorful cocktail that might include plasticine works alongside something by Pipilotti Rist or Tobias Rehberger...
 
>> Read more

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