randian | 燃点

Greco Grand Palais ( 3 Avenue du Général Eisenhower, 75008 Paris) Oct 16, 2019 – Feb 10, 2020 Ran Dian: So what was it like? * Thomas Eller: It was like walking around in a book. Not an exhibition. Interesting for historians though but with some really bad paintings, but revealing. There was one master piece, which […] >> Read more

Ran Dian Art Basel Hong Kong preview of galleries from Europe—Athens, Berlin, Brussels, London, Milan, Paris, San Gimignano, Salzburg, Torino, Vienna, Zurich >> Read more

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more

(中文) 大多数情况下，在当今商业化程度甚高的艺术界，一个画家没有找到个人符号并固定下来，有可能是他眼界有限，接触时代的面儿太窄，加之不善归纳、不够博闻强记；还有一种可能恰恰相反：接触的东西太多，入时代之戏太深，而忽略了“艺术家”的职业角色。倪军显然属于后者。 >> Read more

Internet and smart phone technologies have led to sweeping change in society in our lifetime, forcing us to wrestle with new modes of thinking about and experiencing time, space, and speed, whereby our intellectual and emotional responses to past, present, and future are constantly shifting. >> Read more

Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century. >> Read more

PIFO Gallery is delighted to present the distinguished German contemporary artist Franz Ackermann’s first solo exhibition in mainland China. >> Read more

Ran Dian 燃点magazine needs a little help from you to keep (debate about) art critical, especially when that debate is about art and China. >> Read more

(中文) 陈界仁先生（下文均用陈先生代替）对卞卡（下文均用卞代替）发表在《燃点》的《现实、诗学和谱系，然后呢？》一文的指控，我们感到遗憾。 >> Read more

Mali Wu and Francesco Manacorda will serve as co-curators of the 11th Taipei Biennial in 2018, Taipei Fine Arts Museum (TFAM) has announced. >> Read more