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2017.02.21 Tue, by

Fuxing Renaissance | LI Shan

Don Gallery is proud to announce Beijing-based painter Li Shan’s first solo exhibition at the gallery. The exhibition, titled “Fuxing Renaissance,” brings together recent works as well as paintings dating from the early and mid-1970s... >> Read more
2017.02.16 Thu, by

Fuxing Renaissance
LI Shan
Don Gallery, Shanghai

Don Gallery is proud to announce Beijing-based painter Li Shan’s first solo exhibition at the gallery. The exhibition, titled “Fuxing Renaissance,” brings together recent works as well as paintings dating from the early and mid-1970s, many of them rarely seen or exhibited before. Urban and natural landscapes have preoccupied the artist continuously for more than […] >> Read more
Interviews, 2014.04.30 Wed, by

Cultural Renaissance: Interview with CCAA Director Anna Liu

In 2012, Anna Liu became the Director of the Chinese Contemporary Art Award (CCAA). Here, she gives Randian her perspective on the nature of CCAA, its challenges and aims. >> Read more
Interviews, 2021.02.18 Thu, by

Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more
Interviews, 2020.04.20 Mon, by

The End of the World

Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> Read more
Interviews, 2019.12.19 Thu, by

MAI-THU PERRET
News From Nowhere
Simon Lee Gallery, Hong Kong

The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. >> Read more
Interviews, 2019.12.09 Mon, by

LIU GUANGYUN
Thomas Rehbein Galerie
Cologne

In his work group Original Color (2016 - 2019), which consists of canvas pieces and expansive sculptural arrangements, Liu Guangyun decolorizes various garments and fabrics by using a bleaching agent. >> Read more
Interviews, 2019.10.30 Wed, by

EL GRECO dies again at the Grand Palais
Ran Dian fast review

Greco Grand Palais ( 3 Avenue du Général Eisenhower, 75008 Paris) Oct 16, 2019 – Feb 10, 2020 Ran Dian: So what was it like? * Thomas Eller: It was like walking around in a book. Not an exhibition. Interesting for historians though but with some really bad paintings, but revealing. There was one master piece, which […] >> Read more
Interviews, 2019.09.02 Mon, by

Jonas Burgert
ein Klang lang
Tang Contemporary Art, Hong Kong

Tang Contemporary Art is pleased to present an exhibition of new paintings by the German artist Jonas Burgert. >> Read more
Interviews, 2019.03.08 Fri, by

Forget the Future: The 6th Guangzhou Triennial

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

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