randian | 燃点

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more

Greco Grand Palais ( 3 Avenue du Général Eisenhower, 75008 Paris) Oct 16, 2019 – Feb 10, 2020 Ran Dian: So what was it like? * Thomas Eller: It was like walking around in a book. Not an exhibition. Interesting for historians though but with some really bad paintings, but revealing. There was one master piece, which […] >> Read more

(中文) 大多数情况下，在当今商业化程度甚高的艺术界，一个画家没有找到个人符号并固定下来，有可能是他眼界有限，接触时代的面儿太窄，加之不善归纳、不够博闻强记；还有一种可能恰恰相反：接触的东西太多，入时代之戏太深，而忽略了“艺术家”的职业角色。倪军显然属于后者。 >> Read more

Internet and smart phone technologies have led to sweeping change in society in our lifetime, forcing us to wrestle with new modes of thinking about and experiencing time, space, and speed, whereby our intellectual and emotional responses to past, present, and future are constantly shifting. >> Read more

Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century. >> Read more

The Shanghai Himalayas Museum is pleased to present “Himage”, >> Read more

As a conceptual tool devised for this exhibition, “Mimeticism” differs from Realismin that, while the latter embraces countless possible denitions and means ofrealisation, >> Read more

As the by-product of international expositions, the biennial/triennial/multi-ennial model not only shapes the development of modern and contemporary art history, it is also intimately tied to the course of modernity... >> Read more

French art group Agapanthe’s solo show “New Order”, curated by Lu Mingjun, is Wuhan International Art Center’s first attempt to introduce a residency program into their exhibition process. >> Read more

(中文) 静远选择了一个同样被现实环境浸没、从尺度上接近极限的空间展出，并对观看进行了一系列设置。她将这张巨幅肖像横置，把人们与大尺度肖像画之间由远及近的仰视关系转换为图穷匕见式的浏览方式。 >> Read more