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2014.02.18 Tue, by

“Black Coal, Thin Ice” stars in Berlin

The Chinese thriller “Black Coal, Thin Ice”, directed by Diao Yinan, won the coveted Golden Bear award for best film >> Read more
艺术家档案, 2021.10.02 Sat, by

Rui Matsunaga and the Myth of Survival
– an interview with Alice Gee

by Alice Gee Rui Matsunaga – The Myth of Survival Daiwa Anglo-Japanese Foundation (13/14 Cornwall Terrace, Regent’s Park, London) September 10–November 26, 2021 Rui Matsunaga, a Japanese artist based in Yamaguchi, is obsessed with the end of the world. Over five years she has examined the ‘apocalypse’ through various perspectives: the works of Dürer, animism, tribal and religious myths, and […] >> Read more
艺术家档案, 2020.09.01 Tue, by

Show and Tell: Cao Yu’s Gendered Embodiment

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more
艺术家档案, 2020.05.07 Thu, by

Claire Kerr –
On Going for Walks and Taking Photographs

William and Dorothy Wordsworth moved to Alfoxden in Somerset in 1797 to be near Coleridge, then living at Nether Stowey. When the three of them took to going for walks in the surrounding country (sometimes, God forbid, at nightfall to see the stars), the locals were suspicious. >> Read more
艺术家档案, 2020.03.16 Mon, by

Chen Tianzhou ‘Backstage Boys’ at BANK Shanghai

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more
艺术家档案, 2019.09.27 Fri, by

The Racing Will Continue, The Dancing Will Stay

(中文) 它们在繁华与寂寥、权力与规训、国家与个人的两极穿梭,不间断地继续着比赛,而这正是“比赛继续,舞台留下”的意义。 >> Read more
艺术家档案, 2019.06.17 Mon, by

“Soulmates” at HB station

Being said, in comparison to her predecessors, JY purposely steps back from being an “artist as a creator” to “artist as an observer,” deploying a meticulous and reserved manner to scrutinise the system. >> Read more
艺术家档案, 2019.06.08 Sat, by

Imprimitura

(中文) 高远策划的“基底”展览或许是个提醒,无论它的成与败,都在提醒我们应把更复杂的社会现实作为基底,在此之上思考艺术与创造,我们必须主动卷入艺术史与现实纠缠的漩涡中, 而非仅仅陷于形式的自恋与作茧自缚中。 >> Read more
艺术家档案, 2019.05.28 Tue, by

James Lee Byars: Works 1974-1994
Michael Werner Gallery

"SYMBOLS are sacred things: and one of the chief that every man holds dear is the national flag. >> Read more
艺术家档案, 2019.04.08 Mon, by

ANGELA BULLOCH
‘…then nothing turned itself inside-out and became something.’
Simon Lee Gallery, New York

Simon Lee Gallery is pleased to present a solo exhibition by British Canadian artist Angela Bulloch at the New York space, >> Read more

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