“THE KING AND I”
Shanghai Gallery of Art
The King and I is a journey across space and time. It is about a far away Palace and its imaginary stories, transposed like a labirynth or a dream to Shanghai. >> Read more
SEARCH AGAIN
| CATEGORY | ||
| DATE | ||
| FROM: | ||
| TO: | ||
| EX: 1/30/2012 | ||
| KEYWORD | ||
| >> Search | ||
“THE KING AND I”
Sean Scully: Resistance and Persistence Paintings 1967-2015 London and New York
- ‘An artist whose name belongs to the shortest of the short list of major painters of our time’ >> Read more
I am the World, I Want to Be Forgotten: Interview with Ai Weiwei
Randian Editor Iona Whittaker in conversation with Ai Weiwei — Chinese artist, writer, filmmaker and commentator — at his Beijing studio. The year 2012 marked his release from house arrest and the film "Never Sorry".... >> Read more
China and Marlborough
Interview with Gilbert Lloyd
Marlborough Galleries, founded in London in 1946, was the first modern International gallery, opening in Rome in 1962 and in New York in 1963, followed by other cities around the world, becoming the prototype for all subsequent International galleries. Ran Dian spoke with Gilbert Lloyd, son of founder Frank Lloyd and Managing Director of Marlborough from 1972 until 1991. >> Read more
Manifesta 11 in Zurich
Preparations for the European Biennial of Contemporary Art enter their Final Phase... >> Read more
Revolution in Tradition :
China’s post-ink painting era
Galerie Nathalie Obadia, Paris
More than just a form of artistic expression, ink art and especially ink painting, is a cultural signifier. >> Read more
Country Pursuits: Hauser and Wirth
The usual summer lull affecting the art world didn’t apply this year in rural England. “We loved what we saw. And then this project fell in our lap,” Ivan Wirth told the FT about finding Durslade Farm. >> Read more
Strong Opening at Shanghai’s Yuz Museum Amid Hiccups
With the quality of the Yuz collection on display no doubt greatly aided by having Wu Hung, the renowned scholar of Chinese art, as a curator, we can say that “Myth/History” was not half bad—pretty good, in fact... >> Read more
Getting Over Ai Weiwei
A critical response to Ai Weiwei’s view that the exhibition “Art of Change,” at the Hayward Gallery, fails to address any of China’s most “pressing contemporary issues." Contemporary art in China is, Ai argues, “merely a product” that “avoids any meaningful engagement” and whose only purpose outside China is therefore “to charm viewers with its ambiguity”. >> Read more
