randian | 燃点

The strength of "Bentu" lies in the way it chooses to focus on a few strong, individual artworks.
 
 
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Hu Xiangqian’s artistic practice derives from a subtle relationship between current events and personal experience. He recently held a solo exhibition at Long March Space. Yuan Fuca speaks to the artist about the issues of performance in video, as well as art and affect. >> Read more

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

Three and A Half Performances…… >> Read more

Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao: Adrift. >> Read more

Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Adrift: Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao. The exhibition examines the current urban landscape of China with megacities unimaginable in scale just a few decades ago, through the work of four young artists intimately familiar with this period of rapid change. >> Read more

Combining acumen, chutzpah and luck, Jens Faurschou became Denmark’s foremost gallerist and art dealer. It is a story, that along the way, has involved Picasso, Miro, Munch, Robert Rauschenberg - and Swedish banks. >> Read more

Desire and the visual have forever been intertwined. You cannot desire what you already have, so the object of desire is something spatially removed from oneself – a distance that can only be bridged by our sense of vision. All other senses, touch, smell, taste and even sound require a much closer proximity than sight. […] >> Read more