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2015.04.16 Thu, by

TOPOLOGY

(中文) 鲍栋策划的梁硕个展《托普欧乐居》在展厅里搭了一个U字形的木结构走道,展览信息被做成金粉字贴在墙上。 >> Read more
2018.06.17 Sun, by

Infrastructural Territory—
The Spatial Foundation of National Discourse
OCAT Shanghai

Infrastructural Territory: The Spatial Foundation of National Discourse, >> Read more
2018.03.13 Tue, by

ZHENG CHONGBIN
‘Walking Penumbra’
INK studio, Beijing

INK studio Beijing is proud to announce a major solo exhibition entitled Walking Penumbra for California- and Shanghai-based artist Zheng Chongbin. >> Read more
2017.09.06 Wed, by

[dis][locate] : a Presentation
Chronus Art Center

Chronus Art Center (CAC) is pleased to announce [dis][locate], >> Read more
2017.02.16 Thu, by

What, and How to Forget?
Review of the 2016 Taipei Biennial “Gestures and Archives of the Present, Genealogies of the Future”

As the by-product of international expositions, the biennial/triennial/multi-ennial model not only shapes the development of modern and contemporary art history, it is also intimately tied to the course of modernity... >> Read more
2016.10.17 Mon, by

Shanghai West Side Round up

Ran Dian invited Chen Zi’an to pick his top five exhibitions in Shanghai's “West End”. >> Read more
Interviews, 2016.05.20 Fri, by

Interview with Dan Graham

When I first saw Dan Graham, he stood almost anonymously by the wall, white hair and beard, a checked-flannel shirt and old cardigan.
 
 
 
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Interviews, 2016.04.06 Wed, by

Cai Dongdong’s “Fountain” at Klein Sun—Affinities Beyond Duchamp

Cai Dongdong’s exhibition “Fountain”, displayed on temporary zigzag walls at Klein Sun Gallery, adroitly illustrates the relationship between representation and meaning while remaining snugly contained within its theoretical vision. >> Read more
Interviews, 2016.02.04 Thu, by

Turn the Pieces into a Place Bernard Frize

We are delighted to present “Turn the Pieces into a Place,” the fifth solo exhibition by Bernard Frize in our gallery. >> Read more
Interviews, 2015.01.04 Sun, by

Singapore in review: 2014

A look back at art in Singapore in 2014. >> Read more

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