On June 30, it was announced that Baron Guy Ullens is looking to sell Beijing’s Ullens Center of Contemporary Art (UCCA) along with his art collection. >> Read more
So Guy Ullens is leaving the UCCA, selling his collection, lamenting failures and withdrawing from China. Does it really matter? Is UCCA such an important institution? Should a foreign-owned museum be attempting to define the debate about contemporary art in China? Or is Ullens just running away from failure? >> Read more
Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> Read more
Just prior to Chinese New Year Chris Moore spoke Dominique Lévy by telephone to discuss Hong Kong and China, beginning by discussing why Lévy Gorvy first opened an office in Shanghai before opening the gallery in Hong Kong. >> Read more
“The Well Fair,” Elmgreen & Dragset’s first exhibition in China and largest in Asia to date, transforms UCCA’s Great Hall into a fictional art fair by dividing the museum’s signature gallery into evenly spaced rectangular booths. >> Read more
HDM Gallery is pleased to present “Zhao Zhao”, the artist’s first solo exhibition in Hangzhou. The exhibition consists of 2 installations: “One Second”, a completely new work, and “Safe”, a continuation of previous works. >> Read more
HDM Gallery is pleased to present “Zhao Zhao”, the artist’s first solo exhibition in Hangzhou. The exhibition consists of 2 installations: “One Second”, a completely new work, and “Safe”, a continuation of previous works. >> Read more