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2021.02.18 Thu, by

Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more
2021.01.09 Sat, by

“Volume Eleven” by Ash Ghazali & S.E.A. FOCUS 2021 featuring Hu Qiren, 16 – 24 Jan 2021

"Volume Eleven" by Ash Ghazali & S.E.A. FOCUS 2021 featuring Hu Qiren, 16 - 24 Jan 2021 >> Read more
2020.12.26 Sat, by

“The Tides of the Century” at the Ocean Flower Island Museum

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more
2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
2020.11.28 Sat, by

Miriam Cahn and Claudia Martínez Garay
TEN THOUSAND THINGS
Sifang Art Museum, Nanjing

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇,创作者在雾中迷失、低吟高唱,在她以感官展开的画卷里,山体长着血脉,表现在痛苦中挣扎的情感;房屋是毕露的线条,释放出包裹或缠绕的明亮;动物们目光空洞、身体脆弱,多半没有耳朵。同样,她以缤纷的色块和线条声张她简明而灿烂的直觉领域,然而她情感的世界却深沉而阴郁,与身体的感官联系深刻,不能轻易的揣度。 >> Read more
2020.11.16 Mon, by

Zara June Williams – Fuse
COMA, Sydney

Intrigued by the feeling of bewilderment that ensues contradiction, Zara June Williams’ explores the cyclical and cumulative nature of painting through an impulsive and often destructive approach to making. Compelled by incongruous encounters, the artist not only seeks to untangle problems but to create them. Her recent work combines painterly abstraction with collage, bringing together disparate parts in order to mimic and hence reflect on the fractured and disorderly nature of the self. >> Read more
2020.09.03 Thu, by

Takashi Murakami:“Michel Majerus Estate”

The Michel Majerus Estate is delighted to present Takashi Murakami: Michel Majerus Superflat, curated by Tobias Berger. >> Read more
2020.08.17 Mon, by

Illusive Particles, MadeIn Gallery, Shanghai

After several months of space design and renovation, the exhibition will showcase the latest works of seven young artists: Cai Jian, Feng Zhixuan, Li Hanwei, Lu Boyu, Lu Pingyuan, Wang Ziquan, and Zhong Wei. >> Read more
2020.06.20 Sat, by

THE virus – SELBST (C0vid-20-Recovered)

Thomas Eller’s THE virus – SELBST (C0vid-20-Recovered) (2020) was made in the midst of the Corona pandemic, while the artist was in lockdown in China. As so much of Eller’s work, it is a self-portrait, yet at the same time, also an intimate portrait of COVID-19; replicating in its form and content the biological basis […] >> Read more

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