randian | 燃点

(中文) MoCA Pavilion 艺术亭台空间将位于南京西路人民公园门口的原MoCA艺术衍生品商店改造成了一个新的艺术项目空间，一时间成为了沪上年轻艺术家的一片试验田与展示橱窗。《燃点》采访了MoCA策展人王巍巍，一探“亭台”的台前幕后。 >> Read more

This was originally a true story. The time was the morning of the December 1, 1985; it was at a museum in New York. “Female Art” was the performance artist Linda Montano, and the translator was Ai Weiwei. The sculptor is, naturally, myself... >> Read more

For the first time in his life, the famous Chinese artist designs and realizes a solo exhibition in his home country, following the entire development of the project from conception to realization in situ. >> Read more

Shanghai—Pearl Lam Galleries is pleased to presentFLUX, an exhibition of works by eminentartist and artistic director Wang Huangsheng, >> Read more

There has been much focus on the “Stars Group” of late, as well as similar art movements like “Wu Ming” (“No Name”). But one member of the defunct art movement living in Paris is not making many waves. In fact, he seems to be making no waves at all... >> Read more

For the 2nd project at yellow.ant.art.lab in 2014, Weiwei LIU will present his art project entitled “Lost Comrad”. >> Read more

Ben Brown Fine Arts is pleased to present the first UK solo exhibition of Wang Keping, one of China’s foremost contemporary sculptors. >> Read more

Radical ‘Stars’ artist Wang Keping exploded onto the Chinese art scene in the late 1970s as the leader of a contemporary art group. He now returns to Beijing to present the largest exhibition of his work ever shown in the country to date. >> Read more

Manifesta in St. Petersburg; Wang Chunchen in Venice; Iberia Center renamed Hive Center; Launch of ArtShare; MAP Office wins Sovereign Art Prize >> Read more

A critical response to Ai Weiwei’s view that the exhibition “Art of Change,” at the Hayward Gallery, fails to address any of China’s most “pressing contemporary issues." Contemporary art in China is, Ai argues, “merely a product” that “avoids any meaningful engagement” and whose only purpose outside China is therefore “to charm viewers with its ambiguity”. >> Read more