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2018.01.15 Mon, by

JOSEPH BEUYS x NAM JUNE PAIK
Lettres du Voyant
How Art Museum

(中文) 昊美术馆(上海)历时两年的筹备, >> Read more
2019.07.21 Sun, by

Ni Jun review

(中文) 大多数情况下,在当今商业化程度甚高的艺术界,一个画家没有找到个人符号并固定下来,有可能是他眼界有限,接触时代的面儿太窄,加之不善归纳、不够博闻强记;还有一种可能恰恰相反:接触的东西太多,入时代之戏太深,而忽略了“艺术家”的职业角色。倪军显然属于后者。 >> Read more
2018.10.22 Mon, by

Datumsoria:An Exhibition of Jon Kessler and YAN Lei
Three Rooms: Edge of Now

The new edition of Datumsoria further investigates the neologism, which conjugates datum and sensoria, >> Read more
2018.09.01 Sat, by

Yang Zhenzhong
Surveillance and Panorama
Tang Contemporary Art

Tang Contemporary Art is proud to announce the opening of Yang Zhenzhong's solo exhibition “Surveillance and Panorama”on September 1, 2018, in the first space of Beijing. >> Read more
2018.06.30 Sat, by
2018.06.13 Wed, by

YANG TAO
I.won’t.tell.you.anything.before.the.problem.arises
Gallery 55, Shanghai

Gallery 55 is please to announce that Yang Tao's solo show “I won't tell you anything before the problem arises” will be open on the 30th of June 2018. >> Read more
2018.05.14 Mon, by

Open Call: Banyan Commune Artist Residency Project 2018-2019

Banyan Commune is a unique phenomenon of community life and civil culture in southern China, a gathering place traditionally served as a community center for the neighborhood. >> Read more
2018.04.06 Fri, by

YANG YONGLIANG
Sullivan+Strumpf, Sydney

Sullivan+Strumpf Sydney is delighted to present the first solo exhibition in Sydney by celebrated Chinese new media artist Yang Yongliang. >> Read more
2018.03.22 Thu, by

Zhang Yue
“If I Could”
GALLERY YANG

The exhibition starts with "Firing". This first part, consisting of 162 pieces of target paper, as if cobblestones along the river of war, forms a path leading to every corners of the whole show. >> Read more
2018.03.17 Sat, by

YU AIJUN
‘Timetable Occupying Station’
Gallery 55

Gallery 55 is proud to present artist Yu Aijun’s solo exhibition "Timetable Occupying Station" from the 24th of March through the 22nd of April 2018. >> Read more

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