randian | 燃点

Emami Art, the contemporary art gallery at the Kolkata Centre for Creativity (KCC) is hosting ‘The Mirror Sees Best in the Dark’, a solo exhibition by one of India’s eminent artists, Mr. Bose Krishnamachari. >> Read more

Yet my intention in writing this article is not merely to rant—it’s in the interest of drawing attention to a very real problem. >> Read more

The Taipei Fine Arts Museum (TFAM) has appointed French curator Corinne Diserens as guest curator for the Taipei Biennial 2016. >> Read more

The second phase of a long-term project that proposes (historical) re-readings of artists’ moving image from Hong Kong, China and the UK... >> Read more

KMB is a project for artistic experimentation and innovation rooted in the history of its site and an eminent point of contact between art and community. >> Read more

As regards China, London was less interested in the Middle Kingdom than in 2013 but the ubiquitous presence of Chinese artists and collectors in London, and galleries and museums attentive to them, indicates a trend that has been growing for the last five years. >> Read more

A conversation between Li Zhenhua and David Elliott, curators of "PANDAMONIUM: Media art from Shanghai" >> Read more

WeChat / Weixin is a mobile app in China that has taken off like wildfire since it was first released in 2011. Now, it is being used to hold independent art auctions. >> Read more

In one way the “best” and “worst” may be understood as opposites, as part of the dialectic of rational, western materialism, in which existence is formed by choice and circumstance. Yet, in another sense, the best and worst are embedded within the same cyclical motion. >> Read more

In one way the “best” and “worst” may be understood as opposites, as part of the dialectic of rational, western materialism, in which existence is formed by choice and circumstance. Yet, in another sense, the best and worst are embedded within the same cyclical motion. >> Read more