randian | 燃点

The recent sculptures nuns + monks by Ugo Rondinone take their rightful place in the continuity of a narrative introduced by the artist thirty-two years ago. A narrative composed of chapters that would never cease to interact with one another throughout a trajectory made up of intertextual questions, back-and-forths, survivals, displacements and reinventions of shapes and attitudes, or of interrogations that are constantly being renegotiated. >> Read more

by Chris Moore The China art market faces its most difficult period since 2008. With the developing US-China trade war, increasing skepticism towards corporate China’s debt (particularly banks), growing uncertainty from political unrest in Hong Kong, and a weakening global economy, not least in Germany, the economic “motor of Europe”, and the continuing UK Brexit […] >> Read more

Just prior to Chinese New Year Chris Moore spoke Dominique Lévy by telephone to discuss Hong Kong and China, beginning by discussing why Lévy Gorvy first opened an office in Shanghai before opening the gallery in Hong Kong. >> Read more

George Condo’s first solo show in Hong Kong, “Expanded Portrait Compositions”, opens at the Hong Kong Maritime Museum. Organized by Sprüth Magers and Skarstedt, it comprises major new work by one of the most influential living painters. >> Read more

HOW Art Museum (Shanghai) is pleased to announce its inaugural exhibition MANIFESTO: Julian Rosefeldt. >> Read more

Scene / Asia is a dynamic platform for enabling active interaction with multiple scenes in Asia: >> Read more

Between Art Lab (Beijing) is honored to announce the opening of Xu Mo’s solo on June 16, 2016. >> Read more

Platform China Contemporary Art Institution is pleased to present Tong Kunniao’s solo exhibition “Dreaming an Earth” on 17th April, the show will be run until May 22th. >> Read more

As a tall man hailing from Datong in Shanxi province, Zhang Shengquan had, in the customary Chinese manner, the nickname of “Da Zhang” (lit. “Big Zhang”), and thus ended up being known as “Datong Dazhang”. He started making art in the 1980s. >> Read more

“Peepshow” presents an extension of a perspective, emphasizing ways of casting spells on what is “daily” within new segmentations of time in order to permit serious consideration of it.
 
 
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