randian | 燃点

Public Hours: 12 January, 12–8pm; 13 January, 12–7pm; 14 January, 11am–7pm; 15 January, 11am–6pm Venue: Marina Bay Sands, Sands Expo & Convention Centre, Level B2 ,10 Bayfront Avenue, Singapore 018956 Singapore—Pearl Lam Galleries is delighted to announce its participation in the 2017 edition of Art Stage Singapore, taking place from 12–15 January. As one of […] >> Read more

Forests and jungles have been seen as anything from bastions of harmonious tranquility to wolf-haunted wastelands or tracts of resources to be cataloged and exploited. >> Read more

Eschewing the tangible details, like state iconography or paeans to Singlish and the "kampung" spirit, Lee’s oblique approach suggests that things which may not seem to have much to do with Singapore could actually tell us much more than signifiers fraught with overuse... >> Read more

Sean Kelly is pleased to announce The Time Vivarium, an exhibition in two stages by Chinese artist Sun Xun. >> Read more

Chambers Fine Art is pleased to announce the opening of two concurrent exhibitions devoted to new and conceptually related earlier works by Ai Weiwei. >> Read more

The exterior of this former theme park is a chromatic nightmare. A monstrous fabricated rock terrain, the geological terror fortifies the premises in a throbbing sprawl of blood red and sickly yellow. >> Read more

Hitler’s bodyguard died recently. Rochus Misch was 96. He said Hitler was “a very normal man" and "He was no brute. He was no monster. He was no superman." What a relief for Jews, Russians, gays, gypsies, and social democrats, to name a few. >> Read more

White Cube Hong Kong is pleased to present an exhibition of new works by British artists Jake & Dinos Chapman. This is the first exhibition of the artists’ work in China and will feature a major new 'Hell' installation ... >> Read more

[Press Release] About My Private Museum - Feng Mengbo Feng Mengbo is one of mainland China’s more versatile, innovative and recognized new media artists. >> Read more

On show are excerpts from a number of his major series. All are gelatine silver prints born of what Sugimoto calls “the abandoned realm of analog silver” in a slightly immodest preface in which he also aligns his technically anachronistic processes and “infinite monochrome tonalities” with the influence of Song Dynasty masters. >> Read more