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2013.11.24 Sun, by

Dashilar Hutong Toilet Project

While Hong Kong Designer Michael Young has worked on buildings to watches, we caught up with him regarding his project for Dashilar Pilot. His deeply approachable answers to our questions have given us clarity into why he chose such a human-oriented project—toilets. >> Read more
2019.09.03 Tue, by

Independent Art Spaces Announces Fourth Edition

Independent Art Spaces (IAS) is pleased to announce its fourth edition from 6 – 8 September 2019. >> Read more
2018.07.05 Thu, by

Fantastic Grounds: Jiu Jiu and the Politics of the Digital Image

From his 2016 solo show “Making Good Things Go Better” at Telescope Space to “Fantastic Grounds” in 2017, Jiu Jiu has been concerned with looking at counteracting forces produced by the formation of images. But the computer interface still remains in the “othered” position of being objectified, whether it is in the artist’s artistic process or the audience’s viewing experience. >> Read more
思考, 2018.06.29 Fri, by

Is Sound Critical?—”Grounds for Sound” Research and Practice

Over the past few years my research has focused on the development of sound art and experimental music practices in China since the early '90s. My approach to these practices has been strongly influenced by the idea that sound can be critical. >> Read more
思考, 2018.01.26 Fri, by

Büro Ole Scheeren Completes Guardian Art Center in Beijing

Built on the doorstep of Beijing’s historic Forbidden City, the Guardian Art Center is a new hybrid cultural institution that reconciles the city’s traditional urban fabric and thriving metropolitan energy with a diverse contemporary arts programming. >> Read more
思考, 2017.09.07 Thu, by

Ears Set Free

(中文) 作为一个业余艺术写作者,我时常在展览上对作品背后的意义揣摩猜度,斟酌字句去权衡对作品的理解和对现状的思考,在这过程中消耗了太多感受的能量,在时下你方唱罢我登场,层出不穷费解的局面中,也常迷离出戏,此时此刻,音符所施予的力量却是如此简单和直接。 >> Read more
思考, 2016.10.28 Fri, by

Nan Hao “Production Void” Jiali Gallery

In 2007, at Imagine Gallery in FeiJiaCun, I saw a video in which a young Chinese artist was practicing Tai Chi in the middle of a huge crossroads where multiple lanes converged. >> Read more
思考, 2016.09.30 Fri, by

Display and Escape

(中文) 箭厂空间的绿墙并不是项目的全部,它转化艺术家的身体感受,成为可见的输出。绿墙只是技术手段,而不是作品完整的形态。 >> Read more
思考, 2016.09.25 Sun, by

Nan Hao “Production Void – an installation” (hijacked” by Alessandro Rolandi)
Jiali Gallery Beijing

In 2007, at Imagine Gallery in FeiJiaCun, I saw a video in which a young Chinese artist was practicing Tai Chi in the middle of a huge crossroads where multiple lanes converged. >> Read more
思考, 2016.08.27 Sat, by

Salt Projects

Salt Projects is a curatorial platform founded by Yuan Fuca and Liya Han in 2016, Beijing. Combining theory and practice, Salt Projects understands research as an open-ended activity, involving collaboration and inter-disciplinary approaches to art marking, and specially focuses on time-based art practice. Salt Projects takes multiple forms such as workshops, talks, screenings, publications and […] >> Read more

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