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2020.04.20 Mon, by

The End of the World

Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> Read more
2019.05.02 Thu, by

Tobias Rehberger
‘If You Don’t Use Your Eyes To See
You Will Use Them To Cry’
RAM Shanghai

Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> Read more
2018.06.19 Tue, by

Art Basel Unreport—Beautiful But Boring?

“Always the same thing. How boring! Pedants definitely!” said Oblomov, yawning. Basel is still the best art fair in the world. You knew that already. It runs as smoothly as Swiss Rail. No air-conditioning problems here! Yet there is a growing sense Art Basel is getting predictable. At first, I thought it was just me, […] >> Read more
2017.02.13 Mon, by

Shahpour Pouyan, “We owe this considerable land to the horizon line”, Galerie Nathalie Obadia

Galerie Nathalie Obadia is very pleased to present We owe this considerable land to the horizon line, the first solo exhibition in France of the work of Shahpour Pouyan. Shahpour Pouyan was born in Isfahan in 1979, a year marked by the Islamic Revolution in Iran, and grew up in Tehran in the midst of […] >> Read more
2013.03.15 Fri, by

The Demise Of The Things: Wu Xiaochuan

For art that muses over the nostalgia of the past, “monumentality” is a necessary characteristic: Caspar David Friedrich’s desolate monasteries or Gothic cathedrals, John William Waterhouse’s distressed “Lady of Shalott,” or John Everett Millais’ “Orphelia” sinking in the river — there is a sorrowful sublime... >> Read more