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思考, 2021.05.11 Tue, by

A PhiloPhotoPoetics of Emptiness, Its “Shadow-Tracing” (摄影): A Roundtable Conversation with Gabriela Morawetz & Kyoo Lee

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
艺术家档案, 2021.03.23 Tue, by

True Paradise
Dao Chau Hai’s ‘THINH’
at Manzi Art Space, Hanoi

Dao Chau Hai – a solitary wanderer in the endless exile of the mind, searching for a paradise that does not exist. >> Read more
艺术家档案, 2021.02.18 Thu, by

Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more
艺术家档案, 2020.12.26 Sat, by

“The Tides of the Century” at the Ocean Flower Island Museum

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more
访谈, 2020.11.03 Tue, by

Werner Büttner and the Invention of BAD Painting

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more
艺术家档案, 2020.10.11 Sun, by

“Right: to Write ________”:
Toward a Democalligraphic U-topia

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more
艺术家档案, 2020.08.20 Thu, by

Qiu Shihua: “Empty / Not Empty”

Galerie Urs Meile takes great pleasure to announce the opening of Empty / Not Empty, Qiu Shihua’s (*1940, lives and works in Beijing, Sacramento and Shenzhen) first appearance since his last show seven years ago in our gallery in Lucerne. >> Read more
艺术家档案, 2020.08.01 Sat, by

Demented Digital: No online saviour for auctions

Introduce A Little Anarchy, Upset The Established Order, And Everything Becomes Chaos >> Read more
访谈, 2020.06.28 Sun, by

Professor Guo Yaxi: Reticence in Transformation

Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more
访谈, 2020.06.20 Sat, by

Marion Baruch: Letting go endless blooming

Galerie Urs Meile is delighted to announce the first solo exhibition of the artist Marion Baruch (*1929 Timişoara, Romania, lives and works in Gallarate, Italy) at the Lucerne gallery. >> Read more

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