randian | 燃点

From his 2016 solo show “Making Good Things Go Better” at Telescope Space to “Fantastic Grounds” in 2017, Jiu Jiu has been concerned with looking at counteracting forces produced by the formation of images. But the computer interface still remains in the “othered” position of being objectified, whether it is in the artist’s artistic process or the audience’s viewing experience. >> Read more

With this jubilation we introduce the volume and discuss its topics with focus on dualisms and monism and what might they mean for our environments, technology, politics and our co-beings- material and immaterial. >> Read more

OCAT Shanghai is honored to present the exhibition Frontier： >> Read more

OCAT Shanghai is honored to present the exhibition Frontier： >> Read more

SSSP was conceived by Kristiina Koskentola and Institute for Provocation (IFP) and is generously being hosted by the Goethe-Institut, Beijing. >> Read more

A first for modern times, our historical narratives are moving out of tragedy and into comedy, and like it or not, this will be a major turning point. >> Read more

For a world that we cannot perceive, what does it matter whether it exists or not? Perhaps you can further demonstrate that, though an autonomous world is imperceptible, it can still think for us. Yet in this sense, such a world becomes one stipulated by human thought, and ultimately cannot escape the fundamental relationship between thinking and being. >> Read more

One-day conference organized in cooperation between I: project space (Antonie Angerer and Anna-Viktoria Eschbach), Yellow Mountain Foundation and CAFA - Central Academy of Fine Arts >> Read more

The Indonesian artist FX Harsono has won the inaugural Joseph Balestier Award for the Freedom of Art, jointly presented by the Embassy of the United States in Singapore and Art Stage Singapore. >> Read more

Broad beyond belief, in cultural terms, in comparison with the millennia-spanning survey “China: 5,000 Years” or the more standard national survey shows still favored by mid-sized institutions today, the exhibition's remit is both ambitious and impossible. >> Read more