(中文) “常青藤计划2016青年策展人项目”展览：介入——艺术家与中华匠心在津开幕
(中文) 2016年9月3日，“常青藤计划2016青年策展人项目”入选展览方案之一：“介入——艺术家与中华匠心”展在天津棉3创意街区开幕。 >> Read more
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“Art intervention and social practice” forum series 2#
(中文) 集体策划团队Bloom绽在此次“在地－运动”项目中（正式发起于2013年）将提出“根—径—络”的框架，以此回应都市状况中的“在地性”（根）、“进入与走出在地工作的方法和路径”（径），以及“如何促成社会行动的地点位移以形成运动网络”（络），三个层次的议题。 >> Read more
Anachronism in Contemporary Political Art
The classic quote by Karl Marx goes: “Hegel remarks somewhere that all great world-historic facts and personages appear, so to speak, twice. He forgot to add: the first time as tragedy, the second time as farce.” Such satire is not only appropriate in reference to Napoleon and his nephew, Napoleon III... >> Read more
Project Negotiation: A Discussion on “Post-Art”
(中文) “后疫情”正在变成陈词滥调，新常态才是人们不知不觉中沉浸的现实，而当时过境迁之后，这些项目及个中“碎片”所蕴含的密码也就容易提取了。到那个时候，到底“艺术项目”是不是艺术的问题就不重要了。 >> Read more
Wind H Art Center Opened A New Exhibition “To Be the Better One —The Method-ology of the New Generation” Presenting A Diverse Dialogue With The New Generation
From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more
A PhiloPhotoPoetics of Emptiness, Its “Shadow-Tracing” (摄影): A Roundtable Conversation with Gabriela Morawetz & Kyoo Lee
Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
Boundaries Ahead – Oh Bay Art Project, Shenzhen
Stroll along the city's waterfront and discover the opening of the "Tomorrow's Park" - Oh Bay Art Project >> Read more
扩展场域的展览：论中国当代艺术展览的空间转向
(中文) 近10年来的中国当代艺术展览的空间观念主要呈现以下几方面的趋向，主要表现可以概括为：绘画作品展陈的空间化和装置化；作品与场所的意义叠加，独立空间的兴起；扩展场域的展览：作品和展览的跨媒介性与在地性；走向虚拟空间。 >> Read more
Professor Guo Yaxi: Reticence in Transformation
Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more
Lianzhou Photo Festival
(中文) 摄影的魅力是观众的阅历体验与摄影师灵感的碰撞，观众在展览中找到某一种经历，某一种情绪的落脚点，达成共鸣，摄影的意义由此存在，展览的意义也在于此。 >> Read more
