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2014.05.25 Sun, by

Lenin Imagined

The presentation of Chen Xiaoyun’s bronze sculptures and other works reveals heavy traces of Modernism, and seemingly transports the viewer to an art historical display in a small European museum. Taking Lenin’s tongue and his own age, Chen Xiaoyun transplants his contemporary utopian fable into these 21 works. >> Read more
2014.04.11 Fri, by

CHEN Xiaoyun:Twenty-one Poems of Lenin

CHEN Xiaoyun:Twenty-one Poems of Lenin at ShanghART Shanghai Opening: Saturday, Apr 19th, 2014, 4 – 6pm Duration: Apr 19th – Jun 11th, 2014, 10am – 6pm Venue: ShanghART Gallery, Bldg 16, 50 Moganshan Rd., Shanghai, China ShanghART is pleased to present Chen Xiaoyun’s solo exhibition, Twenty-one Poems of Lenin, which runs from April 19th to […] >> Read more
2017.02.06 Mon, by

Encounters to present 17 ambitious large-scale projects – including 12 new works – by leading artists from across Asia and beyond

Art Basel in Hong Kong's widely acclaimed Encounters sector – a unique platform dedicated to presenting large-scale sculptural installations that transcend the traditional art fair booth …… >> Read more
Think, 2017.01.26 Thu, by

The Interpretive Power of a Politics of Happiness

A first for modern times, our historical narratives are moving out of tragedy and into comedy, and like it or not, this will be a major turning point. >> Read more
Think, 2016.10.05 Wed, by

The China Canon—The Sigg Collection in Bern and Hong Kong

It is a curious historical fact that such a small and distant country as Switzerland has had such a profound impact on the development of art in China, especially at this moment of China’s greatest economic and cultural transformation. >> Read more
Think, 2016.05.18 Wed, by

Chen Xiaoyun: “106 Flashes of Lightning That I Collect”

On view will be a series of works created in 2016, including sculptures, installations and videos. >> Read more
Think, 2014.08.30 Sat, by

Summer Reading:One Step Forward, Two Steps Back

This article is available only in Chinese.
 
 
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史论, 2009.03.09 Mon, by

Spheres of Influence

The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more