randian | 燃点

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇，创作者在雾中迷失、低吟高唱，在她以感官展开的画卷里，山体长着血脉，表现在痛苦中挣扎的情感；房屋是毕露的线条，释放出包裹或缠绕的明亮；动物们目光空洞、身体脆弱，多半没有耳朵。同样，她以缤纷的色块和线条声张她简明而灿烂的直觉领域，然而她情感的世界却深沉而阴郁，与身体的感官联系深刻，不能轻易的揣度。 >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

Legendary British artist Sara Lucas has come to China. A part of the Young British Artists generation, Lucas still maintains the spontaneous drive of that era in her work today. >> Read more

Three and A Half Performances…… >> Read more

对于“性别的暴力”的审视，总是在未进入真正讨论之时已经陷入一种无法讨论的境地——任何试图对性别产生作用的评述，经由身体和文化的建构，都会反作用于评论者自身，成为一种自诘式话语的变体。 >> Read more

(中文) 前些年，中国的艺术研究只是体现在部分展览和艺术项目中，如今可以在不少艺术家的创作里嗅到，它伴随受欧美教育的一批年轻艺术工作者回归来势凶猛。“研究”受艺术生产者追捧，特别能代表今天艺术正在经历的，一场更大范围的整体转型。 >> Read more

Desire and the visual have forever been intertwined. You cannot desire what you already have, so the object of desire is something spatially removed from oneself – a distance that can only be bridged by our sense of vision. All other senses, touch, smell, taste and even sound require a much closer proximity than sight. […] >> Read more

With this jubilation we introduce the volume and discuss its topics with focus on dualisms and monism and what might they mean for our environments, technology, politics and our co-beings- material and immaterial. >> Read more

(中文) 在学术界，革命和激进的思想是通过与学者和学术传统的某种约定（engagement）实现的，而这些学者和传统则来自于受到册封的过去。当代人阅读、或者更为通常的情形是重读旧文，从而产生了无法落入这些文本之主流被接受情形的“新”解读。 >> Read more

SSSP was conceived by Kristiina Koskentola and Institute for Provocation (IFP) and is generously being hosted by the Goethe-Institut, Beijing. >> Read more