randian | 燃点

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

From July 6 to August 14, 2018, the Guangdong Museum of Art hosts the exhibition ‘PAINTING AFTER PAINTING AFTER PAINTING AFTER: IMAGE-MAKING IN CONTEMPORARY GERMANY’, presenting four of the most accomplished mid-career painters of Germany today: Franz Ackermann, Benjamin Appel, Thomas Scheibitz and Katja Strunz. The exhibition is a pilot project that in exemplary ways introduces the state-of-the-art in German post-painting developments […] >> Read more

Opened on November 28, 1997, Guangdong Museum of Art is a modern multi-functional museum of plastic art, which is non-profit cultural institution open to the public and serving the society and social development. From June 29, 2011, it has been free to visit. In the same year, it was named as a national key museum […] >> Read more

Wie wurde Xu Hongxiang so gut, in so kurzer Zeit? >> Read more

The British artist Maggi Hambling’s first exhibition in China, “FOR BEAUTY IS NOTHING BUT THE BEGINNING OF TERROR: MAGGI HAMBLING PAINTINGS AND DRAWINGS, 1960-”, will open on March 8th, 2019 at Central Academy of Fine Arts Museum (CAFAM) in Beijing. Maggi Hambling, who is 73-year-old now, gained an international reputation in the 1980s and it […] >> Read more

Tina Keng Gallery is pleased to present the solo exhibition Abstraction Contextualized, exploring the oeuvre of pioneering master George Chann and his abstract expressionist works. >> Read more

Singapore—Pearl Lam Galleries is pleased to present Crossfades and Drawn Forms, a duo exhibition featuring a selection of works by Iranian artist Golnaz Fathi and Chinese artist Lan Zhenghui. Transforming the gallery interiorinto an echo chamber of lines and interventions, the exhibiting works include paintings, a series of lightboxes, and a video projection. >> Read more

Shanghai-born, now New York-based conceptual artist Jian-Jun Zhang began working with historic artifacts in the mid-1990s. The work of past artists has always worked to inspire later generations, but as the twentieth-century drew to a close, contemporary artists no longer sought to extend the ideas of masters who had gone before them. Instead, they turned […] >> Read more

de Sarthe Gallery and Art Agenda, S.E.A. is pleased to announce Departures: Intersecting Vietnamese Modern Art with R. Streitmatter-Tran, an exhibition of contemporary and modern Vietnamese art that tracks the flow of artists and ideas between Vietnam and the West over the last century. >> Read more

PIFO Gallery is delighted to present Zhang Jian's solo exhibition Tranquility. It has been ten years since his last solo exhibition in China. >> Read more