randian | 燃点

For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more

As a new exploration, the Untitled 2016 Series of Wen Wu also direct confronts the historical context and the self-awareness of contemporary painting. >> Read more

(中文) 十二生肖，十二个月，十二门徒，十二主神……十二无论对于东西方都是一个非常重要的数字。古代人们习惯通过数字12来表达一个完整周期，寓意着对过去的总结和未来的展望。 >> Read more

For his first exhibition in Hong Kong and only his second major outing in the contemporary art world, Ma Ke has hung the straightforward space with three large and two small paintings, all depicting full-body human figures on abstract fields. There is a good deal of meat here for aficionados of painting as a globalizing practice... >> Read more