randian

2019.09.01 Sun, by

Dear Diary: Three and A Half Performances

Three and A Half Performances…… >> Read more

2019.06.08 Sat, by

Imprimitura

(中文) 高远策划的“基底”展览或许是个提醒，无论它的成与败，都在提醒我们应把更复杂的社会现实作为基底，在此之上思考艺术与创造，我们必须主动卷入艺术史与现实纠缠的漩涡中，而非仅仅陷于形式的自恋与作茧自缚中。 >> Read more

2018.11.16 Fri, by

HKAGA’s 2018 ART SYMPOSIUM “LOOKING UP” EXAMINES HONG KONG’S ROLE IN THE INTERNATIONAL ART WORLD

The 2018 Art Symposium presented by the Hong Kong Art Gallery Association (HKAGA) and Asia Society Hong Kong Center will be held on Friday 16th to Saturday 17th November. The theme of the Symposium is “Looking Up: Remapping Hong Kong’s Art Scene in the Era of New Connectivity and Ruptures”. The Art Symposium has become one of the major events in the Hong Kong and international art calendars. >> Read more

2018.04.26 Thu, by

Wang Dongling: Poetry and Painting

During the week that Wang Dongling was in New York for the opening of the exhibition Wang Dongling: Poetry and Painting at Chambers Fine Art on February 28, 2018 he gave three public demonstrations of calligraphy that for those lucky enough to witness them revealed why calligraphy has long been revered above all other forms of visual art in China. >> Read more

访谈, 2018.04.25 Wed, by

Looking Back at the Pictures Generation with Matt Mullican

Pictures Generation artist, Matt Mullican, renowned for his work with signs and flags and pioneering hypnosis performances, exhibited in China for the first time during West Bund Art & Design last November, with a special presentation of his flag works. >> Read more

访谈, 2018.04.18 Wed, by

A New Spirit Then,
A New Spirit Now, 1981-2018
Almine Rech Gallery, New York

Almine Rech Gallery is pleased to present A New Spirit Then, A New Spirit Now, 1981-2018. >> Read more

访谈, 2018.03.17 Sat, by

黑川良一的“星际迷航”——《反向折叠》正式开幕

Sorry, this entry is only available in 中文. >> Read more

访谈, 2018.03.12 Mon, by

WANG ZHIBO
‘He no longer looks human’
Edouard Malingue Gallery, Shanghai

As part of China’s standard art education, drawing or painting from life is considered practice - it is mere preparation for a final ‘meaningful’ creation. Yet, Wang Zhibo’s works purposely linger, or rather, continuously return to this condition of practice. >> Read more

访谈, 2018.02.28 Wed, by