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2019.09.01 Sun, by

Dear Diary: Three and A Half Performances

Three and A Half Performances…… >> Read more
2019.03.01 Fri, by

The Snake that Eats Itself

The first appearance of the ouroboros—the mythological snake that eats its own tail—appears in an ancient funerary text discovered in the tomb of Tutankhamen in 14th century BC. Across cultures, this act of autophagy has symbolized the cyclical processes of life and death, whose union can be seen formulating pre-modern conceptions of eternity. >> Read more
2018.05.29 Tue, by

NI YOUYU
‘So Near Yet So Far’
Perrotin, Hong Kong

Perrotin is pleased to present “So Near Yet So Far”, the first solo exhibition of the Chinese artist NI Youyu in Hong Kong. >> Read more
2017.12.13 Wed, by

Floating Projects

From Floating Projects website: Founded in 2010 and reinvented in 2015 by artist Linda C.H. Lai with a dozen of emerging artists, including Wong Chun-hoi, Hugo Yeung and Bill Tam, the Floating Projects is a 170m2 artistic production site in Wong Chuk Hang answering the question: what can artists do with an empty unit in […] >> Read more
2017.11.27 Mon, by

Heimo Zobernig
This New This
Galerie Chantal Crousel, Paris

Galerie Chantal Crousel is pleased to announce Vienna-based artist Heimo Zobernig’s fourth solo exhibition at the gallery. >> Read more
2017.11.02 Thu, by

GEORG BASELITZ
1977-1992
Michael Werner

Michael Werner Gallery, New York, is pleased to present Georg Baselitz: 1977-1992, >> Read more
2017.08.08 Tue, by

Perrotin Hong Kong presents solo shows of John Henderson

Following exhibitions in Hong Kong, New York, and Paris, Perrotin is delighted to present John Henderson’s second solo show in Hong Kong. >> Read more
2017.07.16 Sun, by

“Gridded Currents”
Kukje Gallery, Seoul
20 July – 20 August, 2017

Kukje Gallery is pleased to announce Gridded Currents, a group exhibition featuring four artists actively engaged in the global contemporary arts scene, from July 20 to August 20, 2017. >> Read more
2017.01.12 Thu, by

GREGOR HILDEBRANDT
“Alle Schläge sind erlaubt”
Almine Rech Gallery
Paris

The expression tous les coups sont permis (“no holds barred”) is as true of Gregor Hildebrandt’s Berlin studio as that other old adage about everything in love and war. >> Read more
2017.01.12 Thu, by

Zhang Ruyi

(中文) 在数十年如一日画十字的上海知名艺术家丁乙眼中,张如怡的实践秉持着理性平衡的原则,而他认为,“审慎而理性的立场在中国当代艺术实践领域并不普遍,成果也同样不够丰硕,也许正是其(张如怡)探索的意义和价值。” >> Read more

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