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Undetermined Tune: Li Lei Art Exhibition >> Read more

(中文) “后疫情”正在变成陈词滥调，新常态才是人们不知不觉中沉浸的现实，而当时过境迁之后，这些项目及个中“碎片”所蕴含的密码也就容易提取了。到那个时候，到底“艺术项目”是不是艺术的问题就不重要了。 >> Read more

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more

(中文) 无可否认，新冠疫情对世界的影响将会在未来相当一段时间内持续，艺术家和所有人一样难免不受到波及。我们可以在哪些历史中寻找参照，或者今天的事件又会如何影响未来？或许每个人的答案都不尽相同。这次展览邀请的作品也不会提供标准答案，然而无论影像或是绘画，具象或者抽象，其线索在于，都是艺术家在对自身所处环境或面对某个事件审视之后的表达与呈现。 >> Read more

(中文) 近10年来的中国当代艺术展览的空间观念主要呈现以下几方面的趋向，主要表现可以概括为：绘画作品展陈的空间化和装置化；作品与场所的意义叠加，独立空间的兴起；扩展场域的展览：作品和展览的跨媒介性与在地性；走向虚拟空间。 >> Read more

Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more

(中文) 从2017年开始，美术馆增强投入，从每年3位艺术家增长至10多位艺术家，更在今年为驻留艺术家的创作专辟了展览与工作空间——A4国际艺术家驻留基地，并提出了“在地性”与“国际性”两个理念作为驻留项目的主题。 >> Read more

What is their secret to first of all – a successful life together as a creative couple and – secondly successful careers independently from one another? – It is the chopstick approach: “mutual trust, equality and independence”. >> Read more

(中文) 大多数情况下，在当今商业化程度甚高的艺术界，一个画家没有找到个人符号并固定下来，有可能是他眼界有限，接触时代的面儿太窄，加之不善归纳、不够博闻强记；还有一种可能恰恰相反：接触的东西太多，入时代之戏太深，而忽略了“艺术家”的职业角色。倪军显然属于后者。 >> Read more