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2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
Interviews, 2016.02.26 Fri, by

Between Perpetuity and Volatility: Interview with Karsten Födinger

I first met Karsten Födinger while we were penned up at the back of a small car being rushed from one museum opening—a recently opened museum, which of course was huge—to another in Pudong’s monumental waterfront spectacle of shiny high-rises... >> Read more
Interviews, 2014.04.15 Tue, by

Hannes Schimid: Momentous

Hannes Schmid presents his unique artistic oeuvre "Momentous" at the Today Art Museum in Beijing between June 22 and July 17. >> Read more
Interviews, 2013.10.09 Wed, by

Andy Warhol: 15 Minutes Eternal

It is our great honor to work with Andy Warhol Museum to present the grand retrospective exhibition “Andy Warhol: 15 Minutes Eternal” at CAFA Art Museum to the teachers and students in CAFA, and art enthusiasts in Beijing. >> Read more
Interviews, 2013.04.27 Sat, by

ANDY WARHOL: 15 MINUTES ETERNAL

The Power Station of Art is pleased to announce our latest exhibition ‘Andy Warhol: 15 Minutes Eternal’, opening April 28, 2013. >> Read more
思考, 2021.05.11 Tue, by

A PhiloPhotoPoetics of Emptiness, Its “Shadow-Tracing” (摄影): A Roundtable Conversation with Gabriela Morawetz & Kyoo Lee

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
思考, 2020.11.28 Sat, by

Miriam Cahn and Claudia Martínez Garay
TEN THOUSAND THINGS
Sifang Art Museum, Nanjing

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇,创作者在雾中迷失、低吟高唱,在她以感官展开的画卷里,山体长着血脉,表现在痛苦中挣扎的情感;房屋是毕露的线条,释放出包裹或缠绕的明亮;动物们目光空洞、身体脆弱,多半没有耳朵。同样,她以缤纷的色块和线条声张她简明而灿烂的直觉领域,然而她情感的世界却深沉而阴郁,与身体的感官联系深刻,不能轻易的揣度。 >> Read more
Interviews, 2020.11.03 Tue, by

Werner Büttner and the Invention of BAD Painting

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more
Artist profiles, 2020.10.11 Sun, by

“Right: to Write ________”:
Toward a Democalligraphic U-topia

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more
Artist profiles, 2020.09.09 Wed, by

Philippe Parreno: “Manifestations”

Manifestations is Philippe Parreno’s eighth solo exhibition with Esther Schipper. It includes works spanning various media: a granular soundtrack, a CGI film, atmospheric sensors, robotic systems, computer code, ice and water. >> Read more

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