randian | 燃点

Intrigued by the feeling of bewilderment that ensues contradiction, Zara June Williams’ explores the cyclical and cumulative nature of painting through an impulsive and often destructive approach to making. Compelled by incongruous encounters, the artist not only seeks to untangle problems but to create them. Her recent work combines painterly abstraction with collage, bringing together disparate parts in order to mimic and hence reflect on the fractured and disorderly nature of the self. >> Read more

The Year of the Monkey sees the first exhibition at the ACAF Art Space in Shanghai and an extension of our Fellowship Program. >> Read more

[Press Release] NGV International | 11 April – 28 September 2014 | Free entry The National Gallery of Victoria will present the large-scale, immersive video works of Wang Gongxin, one of China’s most respected video artists, in a solo exhibition to open on 11 April 2014. Wang Gongxin: Video Artist will present three works that […] >> Read more

Founded in 1861, the National Gallery of Victoria is Australia’s oldest public art gallery. >> Read more

The Australia China Art Foundation (ACAF) is a not-for-profit public organisation dedicated to supporting artists and building active links in the field of contemporary art between Australia, China and the Asia-Pacific region. >> Read more

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

Manifestations is Philippe Parreno’s eighth solo exhibition with Esther Schipper. It includes works spanning various media: a granular soundtrack, a CGI film, atmospheric sensors, robotic systems, computer code, ice and water. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

Independent Art Spaces (IAS) is pleased to announce its fourth edition from 6 – 8 September 2019. >> Read more