randian | 燃点

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

As regards China, London was less interested in the Middle Kingdom than in 2013 but the ubiquitous presence of Chinese artists and collectors in London, and galleries and museums attentive to them, indicates a trend that has been growing for the last five years. >> Read more

“Quasi-Objects” is a reincarnation and unification, indeed “liberation”, of a selection of Parreno’s works, all within the specific exhibition space at Esther Schipper gallery: creating new hybrids via environment and interbreeding of already-hybrid beasts. >> Read more