randian | 燃点

INK Studio, the critically-acclaimed Beijing art gallery, is proud to present Earth Roots, the first systematic survey of internationally renowned artist Yang Jiechang’s One Hundred Layers of Ink series. A stunning statement in its inception in 1989, the series has been extremely influential on the development of contemporary Chinese art, anticipating now-commonplace strategies like repetition, […] >> Read more

Apart from a complex concept created by the human imagination in relation to landscapes, appreciating Liang Ban’s works does not foster a sense of repression and perplexity that often comes with viewing contemporary art. >> Read more

A+ Contemporary is pleased to present the opening of artist He Yida’s solo exhibition “Right Misplacement” on October 29th, 2016. >> Read more

The city of Yekaterinburg, nestled deep in the Russian heartland almost 2000 km east of Moscow, might not be the most obvious site for an international biennial... >> Read more

Monumental architecture is simple. Its strict geometries of circles, squares and triangles; its complex arches or layers; or its great mass or height simply demand attention. But can a renowned building lose its esteemed position? >> Read more

The expressive potential of woodblock prints is being explored in heretofore unimagined ways at Sun Xun’s solo exhibition. Whether it is animation, installation, or painting, these disparate elements are united by the forces of black, white, and paper... >> Read more

For art that muses over the nostalgia of the past, “monumentality” is a necessary characteristic: Caspar David Friedrich’s desolate monasteries or Gothic cathedrals, John William Waterhouse’s distressed “Lady of Shalott,” or John Everett Millais’ “Orphelia” sinking in the river — there is a sorrowful sublime... >> Read more

Sasha Zhao interviews Qiu Zhijie about his bamboo-based exhibition, "Cells," at Pace Beijing. >> Read more