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(13 June 2017, Hong Kong) M+, the new museum of visual culture in Hong Kong's West Kowloon Cultural District, is pleased to announce Canton Express: >> Read more

(中文) 第一届道滘新艺术节，发起人范明正、项目总监李战豪与艺术总监李振华，邀请海内外知名艺术机构动量（MOMENTUM）创始总监、魏玛包豪斯大学 客座教授瑞秋•芮斯•沃洛荷博士与当代艺术调查局（ABI ）一同策划“绘画与图像”、“装置与委托创作”、“新媒体建筑投影”与“放电影”4个单元，汇集来自17个国家，79位艺术家的作品，散布于道滘镇的艺文街区中。 >> Read more

Shenzhen, as a starting point and as a shadow, faces the huge challenge of China’s transformation from “production” to “creation.” >> Read more

Art Basel is not just about selling famous one-name artists—the Picassos, Pollocks and Warhols—but also about remembering other masters, whether still living—Haim Stainbach, Jannis Kounellis, and Liang Shaoji and Seth Price; or not—László Maholy-Nagy. >> Read more

It is a mistake to compare LA with New York, Beijing or London, because Los Angeles is what they are not. It is their idiosyncratic counterpoint. >> Read more

The plain gesture of juxtaposing a minor group of Guangzhou cosplay enthusiasts with cranes at construction sites and migrant workers doesn’t really distill the essence either of societal change in contemporary China or “the numbing state of modernity” >> Read more

(中文) 在近三十年轰轰烈烈的中国“前卫”、“实验”、“当代”艺术运动中， >> Read more

For most, Vietnam is an idea formed, since the beginning of the twentieth century, by a foreigner’s idea of the foreign, rather more than by its residents. >> Read more

Para Site is pleased to present Sparrow with Bamboo Twigs. >> Read more

(中文) 参展画廊从创建时候的29家，到第二年的54家，2015年数量增加到75家，同时还有2个非盈利项目，3个特别展览，共同呈现出博览会内容的丰富与多样。 >> Read more