randian | 燃点

It has been just over a year since we moved to Berlin. Yuan Yuan has finally made his first solo show (Edouard Malingue Gallery in Hong Kong) after moving his studio here, and I have been busy preparing our dual exhibition project, which was intended for this year’s Frieze London, now delayed of course. >> Read more

HONG KONG – Galerie du Monde is pleased to announce Memories of West Lake, >> Read more

Chambers Fine Art is pleased to announce the opening on September 23, 2017 of Yan Shanchun: A Decade of Paintings and Prints. Born in 1957 in Hangzhou, >> Read more

Galerie du Monde is pleased to announce a joint exhibition of work by Chinese artists Wang Gongyi (b. 1949, Tianjin) and Yan Shanchun (b. 1957, Hangzhou), taking place between 2 September and 5 October 2016. They have collaborated many times, but this will be the first duo exhibition of both artists in Hong Kong. Both […] >> Read more

“The wholeness of a collective intelligence of human, machines, and the natural world, and anything within this wholeness is holos.”
 
 
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Through their artworks, Zheng and Lin have expressed their imagination about the technological singularity, and explored the connection between machine and consciousness through “intelligentization” and “semi-intelligentization”. >> Read more

Chambers Fine Art is pleased to announce the opening on February 27, 2016 of Yan Shanchun: West Lake, Etchings and Paintings. Born in 1957 in Hangzhou, Yan graduated from the Printmaking Department of the Zhejiang Academy of Fine Arts (now China Academy of Fine Arts) in 1982, >> Read more

Professor Zhu Qingsheng, of the history department at Peking University, has divided the development of abstract art into three stages..."The Third Abstraction” returns to the essence of human nature, that chemical reaction as the body comes into contact with matter, and the spiritual nurturing from within... >> Read more

55 is proud to present a solo exhibition “A Fuzzy Decision” by artist Su Xiangpan, curated by Wang Kaimei. >> Read more

The purpose of a whirlwind museum tour was to explore what China might do with roughly 5,000 new museums built in the past decade. This is a phenomenon marked by a dearth of reliable information.
 
 
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