randian | 燃点

Pékin Fine Arts is pleased to present “Zhao Liang: Black Face, White Face”, a new video installation exhibited for the first time, made during Zhao Liang’s current project “Dust” a documentary film about miners in China’s far North East. >> Read more

Emerging after the Cultural Revolution, Chinese contemporary photography has more than forty years of history. This exhibition is divided into four sections: “The Rise of Unofficial Photography (1976–1979)”, “New Wave Photography (1980-1989)”, “Experimental Photography (1990-2006)”, and “The Development of Experimental Photography Organizations (2007-present) ” >> Read more

Can mankind control the uncontrollable? >> Read more

(中文) 2015年12月26日下午3：30，“中国当代艺术年鉴展2014”开幕式隆重举行。 >> Read more

The OCAT Institute is a nonprofit research center dedicated to the history of art and its related discourses. >> Read more

This fall, Shanghai’s profusion of events made it almost seem like the central hub of contemporary art in China. Here is an overview of what happened—with more coverage to come later. 
 
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In 2014, for the second time, China’s foremost state-run institution of contemporary art – Power Station of Art – hosts the Shanghai Biennale, in its converted power plant space. >> Read more

As the title suggests, open exhibition refers to an indefinite theme, freedom to choose mediums for image, and no curators; artists participate freely for impromptu autonomous creation and presentation within a specified time and space, to highlight the non-mainstream and uncertainty. >> Read more

This year, the spotlight of the Armory Focus will fall on China, with Ullens Center for Contemporary Art in Beijing (UCCA, Beijing) Director, Philip Tinari curating the exhibition program.Randian interviewed him just prior to The Armory Show’s launch. >> Read more