>>
SEARCH >>
EN
>>
<<

FILTER EXHIBITIONS

CITY
 
DATE
 
 
 
 
 
  From:
  To:
  EX: 1/30/2012
KEYWORD
 
  >> Search exhibitions
>> Confirm subscribe
Venue
LEO GALLERY HONG KONG
Date
2016.03.22 Tue - 2016.04.22 Fri
Opening Exhibition
Address
VENUE SoHo 189 Art Lane, 189 Queen's Road West, Hong Kong
Telephone
+852 2803 2333
Opening Hours
Mon - Sat, 11 am - 7 pm (closed on Public Holidays)
Director
Email
hongkong@leogallery.com.cn

>> Go to website

>> See map

Zhang Lehua solo show
“True Exist Void”
[Press Release]

Leo Gallery is pleased to announce ‘True Exist Void’, an exhibition by Chinese Contemporary artist Zhang Lehua. The exhibition will be held at SoHo 189 Art Lane space in Hong Kong.

all-abou

‘True Exist Void’ features his latest series – ‘All About’. ‘All About’ means that the artworks are all about the references. Zhang, in recent years, has adopted the interaction between moving images and painting as infiltrated language media in his creation. Under the video projection, every stroke appears as if it is traveling on the canvas. This exhibition explores the idea of truth, and other dimensions of existence and the void between the inherent of ambiguous mixed.

all3

Zhang begins his paintings by preparing a wall of canvas. He then starts to ‘sketch’ whilst the change of video scenes. The painting technique of where the audio and video messages illustrated on canvas in layers is regarded as life drawing (xiesheng). Zhang captures the scenes and creates strokes with the slow and flowing gestural application of charcoal and acrylic paint. The start and the end of each stroke rely on his intuition of creation, or the integrity of a description, which highlights the laminated sense of time.

There was no specific theme regarding the choice of videos in ‘All About’ creation. It can be the news, film or live clips. His attempt to present the idea of ‘accuracy’ in the artwork contradicts with the moving images in the video. The depiction of every object can hardly be achieved. The objects are ‘true’; they ‘exist’; but at the end, they are presented as ‘void’ on the canvas.