(中文) 而“拒绝”和“出走”是所有新生的开端，正是在这个意义上，艺术不仅提供关于过去、现在和未来的美好想象，更是给生活以出路与可能性的一把钥匙。就这样，我们不断邂逅，一直希望，却又不断超越艺术的乌有之境。
Everything that happens today is connected to what happened yesterday. Artistic creation is no exception.
Breaking Tulips, an exhibition of new work by Gordon Cheung, provides an historical reflection of contemporary culture through the exploration of the Dutch Golden Age, a period of extraordinary wealth and power in 16th- and 17th- century Holland.
In this exhibition, “Highly Prized Flowers” (Tan Hua)1, the two artists continue their earlier re-imagining and re-creation of the tradition of classical Chinese painting.
Red Gate Group Exhibition: Chen Jiaye, Jiang Weitao, Li Hongbo, Tan Ping, Wang Lei, Wei Ming, Xia Xing, Ye Sen, Zhou Jirong
Jiang Qi 3 explores the theme of craftsmanship in the third edition of a two-year collaboration by artists Li Hongbo, Wei Ming, Wang Lei, and Ye Sen.
The components that go into traditional ink paintings are, it seems, the raw materials for artistic development, whether spiritual, aesthetic, or technical.
The southwestern artist community, bonded by the Sichuan Fine Arts Institute, was always one of the strongest.
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