randian | 燃点

Absolut will present a new collaboration with Nadim Abbas on a site-specific art bar installation titled Apocalypse Postponed. The Bar will be open daily 13 - 17 May to coincide with the Art Basel show in Hong Kong. >> Read more

From the serious to humorous, the voyeuristic to observed, the real to the imagined, “Haze and Fog” (2013) presents another collective identity of China today by commenting on the rapid construction of the contemporary metropolis... >> Read more

Ouyang Chun, Huang Xingyu and Gao Weigang - "Flame and the Sea" group show, curated by Shizheng. >> Read more

One of the core genre tools often deployed for exhibitions intended to invite public participation is, of course, participatory art. “Inflation!” wisely steers away from anything knotty and relational, instead opting for a more literal form of visitor-work interaction that also makes space for unorthodox relationships between visitors. >> Read more

In the 1980s "Judy" Lybke worked as a curator in Leipzig, founding the first commercial gallery in communist East Germany and holding exhibitions in his flat. >> Read more

A Thousand Plateaus Art Space is an institution for Chinese contemporary art located in Chengdu, China. A Thousand Plateaus Art Space is equipped with an exhibition space for artworks, a screening room for audio-visual material and a complete and open online database of artistic works. >> Read more

A rather un-conventional survey show aims to generate awareness of the art scene and bolster market attention.



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Daniel Szehin Ho and Rebecca Catching sit down with the enigmatic artist Lee Kit to talk about his process, his work, and his identity as an artist

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Art Taipei has always had a certain allure for galleries as a fair which has the power to attract local collectors — the Taiwanese are known to be big buyers unlike their counterparts in the Mainland — and though Taiwanese galleries fared well this year, no-one else managed much traction. >> Read more

Preparation for this year's Biennale has been marred by missed deadlines and general lack of organization. The Biennale itself seems to have come together at the very last possible minute. Rebecca Catching goes backstage at the 2012 Shanghai Biennale to shed light on the chaos and confusion inherent in the organization of this massive art event. >> Read more