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2013.12.23 Mon, by

Once: Colin Chinnery He An Zhang Hui

Tang Contemporary Art is pleased to announce a collaborative exhibition by Colin Chinnery, He An, and Zhang Hui entitled Once, from 14 December, 2013 through 5 March, 2014. >> Read more
2013.02.19 Tue, by

Empire of the Ants

Human beings are evolving, fighting to survive. With the ability to expand their empires like ants, humans behave as aggressively as a virus like the vast societies we live in. Pu Jie juxtaposes seemingly contrasting narratives and memories as an attempt to show the fragmentary, ever-shifting and therefore incoherent nature of life. Pu Jie, born […] >> Read more
2012.11.21 Wed, by

ZAKA: the Anonymous Artist

Strictly speaking, ZAKA is not an unknown artist; rather, he is a faceless artist who uses the pseudonym ZAKA to navigate the art world. Cheng Xixing, the director of Don Gallery, was first contacted by ZAKA a year and a half ago; the “artist known as ZAKA” requested that Don Gallery manage his works, with the proviso that he would never reveal his identity. >> Read more
访谈, 2012.09.26 Wed, by

Interview with He An

Karen Smith: The first question relates to when we initially met. You were in the process of preparing a work for the Third Shenzhen Annual Sculpture Exhibition. It was of a form that was tied to the nature of the moment, especially in its content which reflected the zeitgeist. How did you conceive of the work? >> Read more
Artist profiles, 2021.10.02 Sat, by

Rui Matsunaga and the Myth of Survival
– an interview with Alice Gee

by Alice Gee Rui Matsunaga – The Myth of Survival Daiwa Anglo-Japanese Foundation (13/14 Cornwall Terrace, Regent’s Park, London) September 10–November 26, 2021 Rui Matsunaga, a Japanese artist based in Yamaguchi, is obsessed with the end of the world. Over five years she has examined the ‘apocalypse’ through various perspectives: the works of Dürer, animism, tribal and religious myths, and […] >> Read more
Artist profiles, 2021.06.19 Sat, by

Wind H Art Center Opened A New Exhibition “To Be the Better One —The Method-ology of the New Generation” Presenting A Diverse Dialogue With The New Generation

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more
Artist profiles, 2020.12.26 Sat, by

“The Tides of the Century” at the Ocean Flower Island Museum

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more
Artist profiles, 2020.12.17 Thu, by

Boundaries Ahead – Oh Bay Art Project, Shenzhen

Stroll along the city's waterfront and discover the opening of the "Tomorrow's Park" - Oh Bay Art Project >> Read more
Interviews, 2020.12.16 Wed, by

Ashley Bickerton
Seascapes At The End Of History

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
Interviews, 2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

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