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2017.10.26 Thu, by

6th CCAA Art Critic Award Announces Jury Members

The 6th CCAA Art Critic Award ceremony will be held in Beijing from 6th to 8th November 2017. The jury consists of four members from China and overseas who, like in previous years, are all renowned critics or curators active in the forefront of contemporary art. >> Read more
2015.09.05 Sat, by

2015 the 5th CCAA Art Critic Award Announces Jury Members

(中文) 2015CCAA中国当代艺术奖第五届艺术评论奖评选将于10月在京举行,本届评委会邀请了五位国际国内评委组成评审团,与往年一样他们都是活跃在当代艺术最前沿的资深评论家、策展人,其中三位是第一次参加CCAA评委会, >> Read more
2022.03.14 Mon, by

Project Negotiation: A Discussion on “Post-Art”

(中文) “后疫情”正在变成陈词滥调,新常态才是人们不知不觉中沉浸的现实,而当时过境迁之后,这些项目及个中“碎片”所蕴含的密码也就容易提取了。到那个时候,到底“艺术项目”是不是艺术的问题就不重要了。 >> Read more
2020.12.26 Sat, by

“The Tides of the Century” at the Ocean Flower Island Museum

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more
Artist profiles, 2020.09.23 Wed, by

The Maschkera
A story inspired by Han Feng’s new work

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more
Artist profiles, 2019.09.17 Tue, by

Pal(ate)/ette/ at SGA Shanghai

Pal(ate)/ette/ will show artworks throughout Three on the Bund with the exhibition’s core display in SGA. Curated by NRM,Pal(ate)/ette/ reflects the spectrum of associations of the homonyms Palateand Palette; a synthesis of the senses – taste sight hearing smell taste and touch – and presenting Three on the Bund as a cultural whole. >> Read more
Artist profiles, 2019.07.25 Thu, by

The Violence of Gender

对于“性别的暴力”的审视,总是在未进入真正讨论之时已经陷入一种无法讨论的境地——任何试图对性别产生作用的评述,经由身体和文化的建构,都会反作用于评论者自身,成为一种自诘式话语的变体。 >> Read more
Artist profiles, 2018.11.22 Thu, by

“As We May Think, Feedforward”, The 6th Guangzhou Triennial 2018, Guangdong Museum of Art

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more
Artist profiles, 2018.10.31 Wed, by

The Result of Open Call for 11th CCAA

On 25 July 2018, Chinese Contemporary Art Award (CCAA) gave an official notice of Open Call for the 2018 CCAA Artist Award. By 30 August 2018, CCAA has received 75 applications from 20 provinces such as Beijing, Shanghai, Hubei, Shandong, Hong Kong and Tibet. The works cover a wide variety of media, including painting, sculpture, photography, installation and performance. >> Read more
Artist profiles, 2017.08.21 Mon, by

WU KE
Another Shan Shui
Chelsea College of Arts, London

Wu Ke (b.1969), an established painter from China will present his unconventional creations of traditional Chinese landscape paintings to a British audience for the first time, at his forthcoming solo exhibition Another Shan Shui at Cookhouse Gallery Chelsea College of Arts this September (21st-26th). >> Read more

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