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2019.04.02 Tue, by

M+ announces the six artists shortlisted for the inaugural Sigg Prize, with the winner to be announced in January 2020

M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture in the West Kowloon Cultural District, >> Read more
2019.03.23 Sat, by

Sans Soleil
Edouard Malingue Gallery

If the task of the classical painter is descriptive persuasion, >> Read more
2019.02.03 Sun, by

FOR BEAUTY IS NOTHING BUT THE BEGINNING OF TERROR: MAGGI HAMBLING PAINTINGS AND DRAWINGS, 1960-

The British artist Maggi Hambling’s first exhibition in China, “FOR BEAUTY IS NOTHING BUT THE BEGINNING OF TERROR: MAGGI HAMBLING PAINTINGS AND DRAWINGS, 1960-”, will open on March 8th, 2019 at Central Academy of Fine Arts Museum (CAFAM) in Beijing. Maggi Hambling, who is 73-year-old now, gained an international reputation in the 1980s and it […] >> Read more
2018.12.07 Fri, by

George Chann
Abstraction Contextualized
Tina Keng Gallery, Taipei

Tina Keng Gallery is pleased to present the solo exhibition Abstraction Contextualized, exploring the oeuvre of pioneering master George Chann and his abstract expressionist works. >> Read more
2018.10.26 Fri, by

DAWN NG
PERFECT STRANGER
Sullivan+Strumpf Sydney

Sullivan+Strumpf is delighted to present an exhibition by Singapore-based Dawn Ng at its Sydney Gallery. >> Read more
2018.09.18 Tue, by

Keltie Ferris
[[[GENAU]]]
Klemm’s, Berlin

We're very pleased to present the second solo exhibition of works by New York-based artist Keltie Ferris (b.1977) at the gallery. The exhibition will bring together a new set of paintings and drawings by the artist. >> Read more
2018.07.09 Mon, by

DAWN NG
Perfect Stranger
Sullivan+Strumpf, Sydney

“It often strikes me” says Ng “that when someone says they miss something >> Read more
2018.06.30 Sat, by
2018.06.07 Thu, by

Chenchenchen
The Mercy of Not Killing 2.0
Migrant Bird Space & MO-Industries, Berlin

Chenchenchen (陈陈陈, a.k.a. ccc, b. 1987) is a Chinese conceptual artist best known for his performance “The Mercy of Not Killing 2.0”, in which he hung ten construction workers from the edges of a 34-meter high tower in Wuxi. >> Read more
2018.05.24 Thu, by

Toulu Hassani
“Circling the Evolute”
Galerie Rüdiger Schöttle

Toulu Hassani’s second solo exhibition at Galerie Rüdiger Schöttle merges her two key methodologies: delicate oil paintings and visual objects made of artificial resin. Her distinct interest in the way humans try to interpret and represent the world through theories and models is intrinsic to, and clearly visible in, her works. >> Read more

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