randian | 燃点

Perrotin Seoul is pleased to present a solo exhibition by Chinese artist Xu Zhen, featuring major works spanning the development of his flagship art brand, XU ZHEN®, since 2013. >> Read more

Faurschou Foundation Beijing has the pleasure of presenting A Lot of Sorrow—a video performance by the Icelandic artist, Ragnar Kjartansson and The National. The work, A Lot of Sorrow, is a single channel video, showing a six-hour long concert by the American band, The National. The band performs their song, Sorrow, repeatedly, in an uninterrupted […] >> Read more

Katharina Grosse is one of the leading artists working in the area of Expanded Painting, a field, in every sense, that encompasses extremely divergent practices, yet which always share an interest in the physical fundamentals of painting and paint – hue, light, material, surface, production – to explore directly the nature of painting itself and the ways people experience it. >> Read more

Rossi & Rossi is pleased to present Heman Chong’s Abstracts from The Straits Times >> Read more

MadeIn Gallery is pleased to present “Flickering Boundaries” opening on January 19, 2018, and showcasing the works of Elliot Dodd (U.K., b. 1978), and Xu Zhen® (2013), Yang Jun (b. 1963), Zhang Lian (b. 1984), Zheng Yuan (b. 1988) and Zhu Yu (b. 1970). The term “boundary” defines an area, which isn’t restricted to a […] >> Read more

HDM Gallery is pleased to present Li Ming’ s solo show “Inspired by Transliteration” in Hangzhou on July 1st，2017. >> Read more

“I’m interested in how an object can become an image of itself, and in how an image can inform an object. We are constantly negotiating our movements through space, and performing towards and around other bodies and objects. I am looking to find moments where the body appears and disappears, when it cannot be certain […] >> Read more

Gagosian is pleased to present "Portraits and Surrogates, Taryn Simon’s first exhibition in Hong Kong. >> Read more

Katharina Grosse’s oeuvre has continued to occupy one of the most important positions in international painting since the early 1990s. Constant innovation and variable perspectives run through her ideas and work, in which she systematically questions and expands the notion of painting in a remarkable way. >> Read more

“If you glance through your botanical books, you will see often added to certain names – ‘a troublesome weed’. It is not its being venomous, or ugly, but its being impertinent – thrusting itself where it has no business, and hinders other people’s business – that makes a weed of it.” >> Read more