randian | 燃点

As a tall man hailing from Datong in Shanxi province, Zhang Shengquan had, in the customary Chinese manner, the nickname of “Da Zhang” (lit. “Big Zhang”), and thus ended up being known as “Datong Dazhang”. He started making art in the 1980s. >> Read more

Private View: 6-8pm, 8 October 2015 Exhibition Dates: 9 October – 21 November 2015 Open Tuesday to Saturday 11 – 6pm or by appointment He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you. […] >> Read more

Hong Kong, June 26, 2015—Lehmann Maupin Hong Kong is pleased to present Nocturnal Friendships, an exhibition that examines various forms of friendship and considers the idea of friendship in relation to desire, the erotic, and death. >> Read more

Responding to an interview question in 2014, Hong Kong Chinese artist Ko Sin Tung (b. 1987), said, “We maintain a passionate pursuit of light.” >> Read more

Abbas’s work does not always travel well, and one could hardly imagine inserting a piece like this one in a different context; he works to architecture and environment to a fault.
 
 
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As an artist, he has witnessed the rapid social and economical changes of China in the last two decades. Since being deeply rooted in China’s cultural context and this land that he belongs to, he questions the controversial social and political phenomena that he sees, and his works aim to be a comment on these phenomena. >> Read more

After the exciting and provocative opening of our first show of 2013, Need. Want. Hunt, in Shanghai, we are excited to extend the exhibition to our Hong Kong home for its opening on March 28th! >> Read more

“CHILDREN’S CLOTHES XL” following Zhang Weixing’s last year series “CHILDREN’S CLOTHES”, is an unsatisfied pleasure and natural continuation of the subject as well as a natural presentation of the flow of time. >> Read more

Beijing Editors Iona Whittaker and Liang Shuhan examine the value, in hindsight, of Wang Guangyi's activities and first paintings in the 80s, at the juncture of art, politics, and philosophy.

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Ecce Homo. “Behold the man,” Pontius Pilate said to the public when he crucified Jesus Christ. The same phrase was taken by Friedrich Nietzsche for his autobiography, which he finished in the last years of his ontological pursuit. Again, Tsang Kin-Wah borrows the same words to title his latest show at Pearl Lam Gallery Hong Kong.... >> Read more