randian | 燃点

Lu Xinjian's new wire sculptures series is the first display of more than a year's effort to express his cubist inspired drawings and paintings as three dimensional forms. >> Read more

Yuz Museum will launch the second large-scale exhibition of the “Shanghai Galaxy” series – “Shanghai Galaxy II”, >> Read more

The group exhibition “You won’t be young forever” curated by Biljana Ciric last November during the Shanghai Biennale did not yield any surprises. She has always insisted on institutional critique as her modus operandi, and now a new batch of artists who haven't yet entered the mainstream has appeared. >> Read more

(12 September 2016, Shanghai, China) Power Station of Art (PSA) is excited to announce the complete list of 92 participating artists and artist groups for the thematic exhibition of 11th Shanghai Biennale. >> Read more

by Alice Gee Rui Matsunaga – The Myth of Survival Daiwa Anglo-Japanese Foundation (13/14 Cornwall Terrace, Regent’s Park, London) September 10–November 26, 2021 Rui Matsunaga, a Japanese artist based in Yamaguchi, is obsessed with the end of the world. Over five years she has examined the ‘apocalypse’ through various perspectives: the works of Dürer, animism, tribal and religious myths, and […] >> Read more

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more

by Alice Gee Thao Nguyen Phan ‘Becoming Alluvium’ Chisenhale Gallery (64 Chisenhale Rd, Bow, London E3 5QZ) Sept. 26, 2020 – Dec. 6, 2020 Thao Nguyen Phan’s Becoming Alluvium, comprising a single-channel video and a series of lacquer and silk paintings, arrives at the Chisenhale Gallery in London after exhibitions in Brussels and Barcelona. In these […] >> Read more

Galerie Urs Meile takes great pleasure to announce the opening of Empty / Not Empty, Qiu Shihua’s (*1940, lives and works in Beijing, Sacramento and Shenzhen) first appearance since his last show seven years ago in our gallery in Lucerne. >> Read more

Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more

The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. >> Read more