randian | 燃点

The Rockbund Art Museum of Shanghai is proud to celebrate the creative and privileged links that unite the visual arts and the practice of writing in China and in Asia. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> Read more

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more

In 2019, Zheng Bo once again introduced the "workshop" into his exhibition Goldenrod held at the Institute of Contemporary Arts at New York University in Shanghai. “Eco-Socialist Garden” is a project that includes workshops, architectural models, and printed material. Zheng Bo invited a group of volunteers from different professional fields and divided them into two groups. >> Read more

Yuz Museum will present “Duet”, a solo exhibition of Tan Ping curated by the renowned art historian and critic Wu Hung. >> Read more

HdM GALLERY London presents Eternal Landscape a solo show by leading Chinese, multimedia artist Yang Yongliang. It will be his first major collaboration with HdM GALLERY and his first solo exhibition in London. >> Read more

THE TWENTY-EIGHT PERCENT by Sara Kramer At this year’s Art Brussels press conference, it was announced as a positive development that 28 % of the participating artists at this year’s fair were women. To be fair, it is in fact an improvement in comparison to last year where it was only 21 %. Despite the […] >> Read more

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

Stepping into the exhibition, what I first noticed were two Chinese characters about a person’s height, printed in red, jumping out from the white background of the gallery. These characters provide the most distinctive visual cues in Zeng Hong’s solo exhibition “Quaderni Rossi”. >> Read more