David Zwirner is pleased to present Josef and Anni and Ruth and Ray as the inaugural exhibition at the gallery's 34 East 69th Street location. Featuring work by Josef Albers, Anni Albers, Ruth Asawa, and Ray Johnson—all of whom were at Black Mountain College in North Carolina in the late 1940s >> Read more
In Han Bing’s new paintings, fragments of urban space appear as portraits. Torn posters and sprayed tags and coils of chain-link fence coalesce into veritable personalities—not faces, nothing recognizable, but the sense is there nonetheless. There’s a whole genre of art and film in which the personification of architecture allows personal dramas to play out […] >> Read more
For more than five decades, Jaray has been examining the geometry of pattern, repetition, and colour within her surroundings, including several public commissions since 1990. Her work is characterised by the enigmatic interaction of forms and colours. >> Read more
Dissecting the piece as a whole, I found no link between these images, which constituted an anything-goes pile-up of various symbols: Tantric Buddhism, Taoism, body politics, the larger narrative of human civilization, reincarnation, redemption, self-examination, revelation, purgatory, Hieronymus Bosch’s “Ship of Fools” and “The Seven Deadly Sins”. . . >> Read more
Singapore Art Week signals the beginning of the art fair calendar for 2017. Ran Dian spoke with Douwe Cramer, director of Singapore Contemporary about how the show, in its second year, is developing the Singaporean art market. >> Read more
The ocean space borrows its designation as a non-space from the fact that it is by law a no-man’s-land: the sea belongs to everyone and to no one. >> Read more
In Swallow Century, the second solo presentation of Yu Honglei in Antenna Space, the artist transforms the gallery space into a public bath using serial relief panels of Chinese totems. >> Read more