randian | 燃点

After Art Hong Kong 2012, Honolulu Museum of Art, Houston Contemporary Arts Museum and 4A Contemporary Asian Art Center, it’s the first official exhibition of The Empty City series in China. >> Read more

A Thousand Plateaus Art Space is pleased to announce the opening reception of Chen Qiulin Solo Exhibition
 
 
>> Read more

The ancient poet, Tao Yuanming describes Peach Blossom Spring as a small village one stumbles upon by chance. It is a pristine paradise hidden deep in the wilderness of mountains, where its inhabitants are protected from the outside world; the old and young alike live in harmony with the birds and beasts... >> Read more

Xue Tan interviews Mimi Brown, founder of Spring Workshop, and Heman Chong, curator of Spring Workshop’s inaugural program, Moderation(s). >> Read more

A round-up of the highlights from Caochangdi Photospring 2012, as chosen by Gu Ling and Iona Whittaker >> Read more

What better way to deliver an awakening insight into Yunnan “fengjing” (scenery, landscape) than under the flawless curatorial eye of Yunnan University’s renowned artist-professor Mao Xuhui? The harmonious spirit he captures in his selections for "Pian Lu" ("Green Inclination") is powerful enough to convert even the recalcitrant to believe in the creative power of Yunnan fengjing. >> Read more

Supervised by the Ministry of Culture, the National Taiwan Museum of Fine Arts (NTMoFA) presents the biennial celebration of Asian contemporary art – the 8th Asian Art Biennial, which opens on October 30. >> Read more

by Thinh Nguyen Publication was made possible with the support of the Nguyen Art Foundation In Ran Dian’s continuing series on going on a walk, we join artist Thinh Nguyen on his current journey across America from Los Angeles to New York, though it involves more driving than walking. We will follow Thinh as he […] >> Read more

It has been just over a year since we moved to Berlin. Yuan Yuan has finally made his first solo show (Edouard Malingue Gallery in Hong Kong) after moving his studio here, and I have been busy preparing our dual exhibition project, which was intended for this year’s Frieze London, now delayed of course. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more