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As we enter into 2019, we face an important year for 3812 Gallery and for Asian art enterprises. >> Read more

Hao Jingban’s first solo exhibition at Blindspot Gallery — “Uninvited Guests” – will feature three new video works from the artist’s most recent project using the Manchukuo of the 1930s-40s as background. The artist conducts historical investigation, archival research, field study and personal interviews, tracing back to the propaganda, drama and documentary films, as well as related figures, from the period of the Manchukuo Film Association. >> Read more

Madani's work posits a world where primal desires are unrestrained by convenient norms. Her works are subsumed by light that points both outward and inward, at human instinct and upended social ritual. Paintings can be grotesque, violent, tender, obscene, and hilarious. >> Read more

Edouard Malingue Gallery (Hong Kong) is pleased to present the second edition of ‘Film Screening’, a summer programme initiated in 2017 focusing on moving image. >> Read more

The fifth edition of West Bund Art & Design will take place from 8 to 11 November, 2018, in Hall A of the West Bund Art Center and the newly constructed Hall N. Located directly across from Hall A, Hall N offers nearly 10,000 square meters of exhibition space. >> Read more

TKG+ is delighted to present the first solo exhibition with Chou Yu-Cheng from May 12 to July 8, 2018. Chou Yu-Cheng: Refresh, Sacrifice, New Hygiene, Infection, Clean, Robot, Air, Housekeeping, jackercleaning.com, Cigarette, Dyson, Modern People III is the third phase of Chou Yu-Cheng’s ongoing project. >> Read more

和 (he’) in Mandarin Chinese can be translated into, among other things, “with”, “harmonious”, “peace”, “unity”, and ”understanding”. >> Read more

The Taipei Cultural Center of Taipei Economic and Cultural Office in New York was formerly known as the Cultural Center, one of the two major components of the Chinese Information and Culture Center (CICC) of the Taipei Economic and Cultural Office in New York. >> Read more

The exhibition starts with "Firing". This first part, consisting of 162 pieces of target paper, as if cobblestones along the river of war, forms a path leading to every corners of the whole show. >> Read more

As part of China’s standard art education, drawing or painting from life is considered practice - it is mere preparation for a final ‘meaningful’ creation. Yet, Wang Zhibo’s works purposely linger, or rather, continuously return to this condition of practice. >> Read more