randian | 燃点

Katharina Grosse is one of the leading artists working in the area of Expanded Painting, a field, in every sense, that encompasses extremely divergent practices, yet which always share an interest in the physical fundamentals of painting and paint – hue, light, material, surface, production – to explore directly the nature of painting itself and the ways people experience it. >> Read more

Two of the art movement’s most important advocates can now be experienced—“seen” would not be the appropriate term—at the How Art Museum in Shanghai. >> Read more

Marlborough Galleries, founded in London in 1946, was the first modern International gallery, opening in Rome in 1962 and in New York in 1963, followed by other cities around the world, becoming the prototype for all subsequent International galleries. Ran Dian spoke with Gilbert Lloyd, son of founder Frank Lloyd and Managing Director of Marlborough from 1972 until 1991. >> Read more

Fosun Foundation Shanghai is proud to present Swiss artist Yves Netzhammer and Chinese artist Qiu Anxiong in two solo exhibitions occupying the center’s second and third floor galleries. >> Read more

A4 seems to grasp the concept of a museum in a holistic way. They see the museum not as merely an exhibition hall, a landing strip for some exhibition created elsewhere, shipped in like a travelling circus. >> Read more

for Chen Chun-Hao, his innovation in media, form, and texture through substitution and amalgamation is informed by “unlikeness in likeness; likeness in unlikeness,” so that the visually unexpected sculptural qualities and the optical illusion they render, together achieve a reasoned liberation in his work. >> Read more

Inga Svala Thorsdottir and Wu Shanzhuan's manifesto and series of works titled Thing's Right(s), a revision of the 1948. >> Read more

On the occasion of the opening of Perrotin Tokyo, the gallery is honored to present a solo exhibition of Pierre Soulages, bringing together a collection of recent paintings. >> Read more

The world already existed. And we have almost never used a word of our own invention. If that is the case, then how can we go about “creating a world” or even providing an account of this act? In an era of unbridgeable distance from Origin and impossible-to-internalize Cause, “CAUSE” becomes a working title, the […] >> Read more

Interview with Thomas Eller, Founder of Beijing Gallery Weekend >> Read more