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2020.11.14 Sat, by

British-Chinese artist Gordon Cheung left out of pocket by Shanghai gallery – The Art Newspaper

(中文) 上海其他画廊十年拖欠艺术家近 44,000 英镑及作品 16 件 >> Read more
2018.02.02 Fri, by

How the Sages Came to Shanghai: Joseph Beuys and Nam June Paik

Two of the art movement’s most important advocates can now be experienced—“seen” would not be the appropriate term—at the How Art Museum in Shanghai. >> Read more
2017.09.06 Wed, by

JULIAN ROSEFELDT
‘MANIFESTO’
HOW Art Museum, Shanghai

HOW Art Museum (Shanghai) is pleased to announce its inaugural exhibition MANIFESTO: Julian Rosefeldt. >> Read more
2016.11.10 Thu, by

HOW Art Museum (Shanghai) Press Conference for the Grand Opening in 2017

On November 7, 2016, Mr. Zheng Hao, Founder of HOW Art Museum and Mr. Yun Cheagab, Director of HOW Art Museum are honored to announce that HOW Art Museum (Shanghai) will open to the public on Thursday, May 11, 2017. >> Read more
2020.12.26 Sat, by

“The Tides of the Century” at the Ocean Flower Island Museum

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more
2020.12.17 Thu, by

Boundaries Ahead – Oh Bay Art Project, Shenzhen

Stroll along the city's waterfront and discover the opening of the "Tomorrow's Park" - Oh Bay Art Project >> Read more
2019.09.17 Tue, by

Pal(ate)/ette/ at SGA Shanghai

Pal(ate)/ette/ will show artworks throughout Three on the Bund with the exhibition’s core display in SGA. Curated by NRM,Pal(ate)/ette/ reflects the spectrum of associations of the homonyms Palateand Palette; a synthesis of the senses – taste sight hearing smell taste and touch – and presenting Three on the Bund as a cultural whole. >> Read more
2018.11.22 Thu, by

“As We May Think, Feedforward”, The 6th Guangzhou Triennial 2018, Guangdong Museum of Art

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more
思考, 2018.06.14 Thu, by

Local Variants

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more
思考, 2018.04.08 Sun, by

Starting from the Desert. Ecologies on the Edge
Second Yinchuan Biennale

Entitled Starting from the Desert. Ecologies on the Edge, the Second Yinchuan Biennale will open on June 9, 2018, at the MOCA Yinchuan. Under the artistic direction of Marco Scotini, the Yinchuan Biennale is pleased to announce the curatorial team composed of Andris Brinkmanis, Paolo Caffoni, Zasha Colah, and Lu Xinghua. >> Read more

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