randian | 燃点

This is the story of something that happened to me when I was at art school—a small incident that remains vivid to me even now. >> Read more

When I first saw Dan Graham, he stood almost anonymously by the wall, white hair and beard, a checked-flannel shirt and old cardigan.
 
 
 
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The short duration of the "Silk Road International" exhibition was in itself a direct reflection of the corporatization of Nanjing Arts Institute Art Museum. >> Read more

An interview with the artist and curator of Manifesta 11. >> Read more

Established in Singapore since 1999, iPreciation is a fine art company dedicated to showcasing exquisite Modern and Contemporary Asian Art. >> Read more

"...We are watching it like a print in a tray of developer, still waiting for a clear image to materialize." >> Read more

Manila’s contemporary art scene is often described as “dynamic,” but one wonders at the implications of the word’s overuse—and whether, in this case, if it can be fairly applied to all levels of art practice in the Philippine capital... >> Read more

In his most recent exhibition at Portikus Frankfurt, Simon Denny’s point of departure is a conference held by Samsung in Frankfurt in 1993, after which the company would go on to revolutionize its image and the state of the tech industry at large. >> Read more

Established in 1989, TAKSU is one of Southeast Asia’s leading contemporary art galleries and specialists. >> Read more

More so than whatever a prize like this might mean to the artist, however, is the question of what his success in Shanghai indicates about the Chinese art world at the moment—and, by transference, what role Hong Kong is playing in relation to this system. Whereas artists working in Hong Kong were once fond of saying... >> Read more